FightingWesterner G-man Roy Rodgers is sent to Colorado at the height of the Civil War, in order to ferret out a gang of Confederate sympathizers who are robbing Army payrolls, among other nefarious deeds, only to discover that his own wayward brother is a rebel spy in a blue coat, out to destroy the Union's plans for a Texas campaign. After being exposed, he joins up with the local Indians to cause trouble.Roy hasn't quite hit his stride yet in this early vehicle, but it's a decent enough hour of entertainment for fans of Saturday matinée potboilers, with George "Gabby" Hayes along for the ride, making the most out of his comic-relief character.Music and romance are a half-hearted afterthought here, with Roy singing only one brief song near the end and Roy's semi-villainous brother getting the most attention from the opposite sex this time around.

krorie Roy Rogers deserved his title "King of the Cowboys." He was a singing cowboy who could really sing and act. Having started his career with the legendary Sons of the Pioneers, Roy (or Leonard Slye back when) could warble with the best of them and could yodel better than anyone around at the time, since the blue yodeler, Jimmie Rodgers, had passed on. The only rivals he had among the singing cowboys were Tex Ritter and, later, Eddie Dean. Roy has time for just one song in this Civil War horse opera, but he makes the most of it by adding a little romance - beautiful Pauline Moore, a former model, plays the woman who loves two brothers, one of them Roy. The other brother is played by the highly underrated, Milburn Stone, now known to all oater fans as Doc from "Gunsmoke." The conflict of good brother vs. bad brother is well handled by the two lead actors and by the script writers. One of the highlights of "Colorado" is the appearance of Gabby Hayes, who was always at his best when playing the comical sidekick of Roy Rogers. Unlike so many of the cowboy sidekicks in the low-budget westerns who generally appealed to the kids, Gabby's humor could make adults laugh as well. Roy & Dale (Dale had not yet entered the scene when this film was made in 1940) had a TV show on the Nashville Network during 1980's where they would show one of their old movies and then reminisce about it and life in Hollywood in general. On one show Roy told a story about Gabby which may have been apocryphal, but is still funny. Gabby was visiting with Roy and Dale when he looked out the window and saw a small boy sitting on the porch steps crying. Gabby went out to comfort the little tyke. "What's the matter, Buckaroo?" Gabby inquired. The boy looked up at Gabby. "I can't do what the big boys do," he sobbed. When Gabby heard this, he sat down beside the boy and began to cry too.The plot is an effective one with Roy, a federal agent, attempting to clean up parts of Colorado of secessionists posing as Union defenders. The Confederate sympathizers are led by Roy's own brother. When most of the Hollywood movies of the period, such as "Gone With the Wind," were promoting Southern interests (many of the early directors & producers had Southern roots), it's refreshing to see a Union slant for a change.Roy Rogers and Saturday matinée cowboy fans should enjoy "Colorado," one of Roy's early films that isn't shown as much on TV as some of his others, but should be. I saw it recently on the Encore Westerns Channel.

bkoganbing Back when I was a lad there was a shortlived television series called The Americans which starred Darryl Hickman and Dick Davalos as the Canfield brothers who went their separate ways when the Civil War broke out. The episodes alternated back and forth with Darryl serving in the Union Army and Dick doing his bit for the Confederacy. Too bad it didn't last longer.In fact in real life a whole lot of families were torn that way. Kentucky statesman John Crittenden had two sons both of whom became generals in the opposing armies. So the premise of Roy Rogers and Milburn Stone on opposite sides is quite real.Rogers is on detached duty from the Union Army as a Pinkerton man out in Colorado trying to locate who's behind stirring up a whole variety of trouble that's tying down needed troops in the west. Of course it's his brother Milburn Stone and the pursuit plus Roy's agony about hunting one of his kin is the heart of Colorado.Rogers only gets one song, sung while he's recuperating from a gunshot wound to leading lady Pauline Moore. He's called on to do a bit more acting than would normally be the case and he handles it well.Colorado deserved a bigger budget and an A cast for the film. It was as another reviewer pointed out, badly butchered in the editing. Yet it's still worthwhile viewing.

classicsoncall "Colorado" takes place during the Civil War years, with Roy Rogers portraying a Union government agent investigating unrest in the Colorado Territory, where Union forces are being detained to contain outlaws, Indians and Confederate sympathizers. With direct authorization from President Lincoln, Lieutenant Jerry Burke (Rogers) comes to learn that his own brother is behind the trouble, under an assumed identity as a Union Officer, Captain Dan Mason. However Mason's allegiance is with the South, and he's in league with Indian Commissioner Jim Macklin (Arthur Loft), as they sell guns to the Indian tribes. Their main goal though is to prevent Union Forces from joining General Grant's army, thereby aiding the Confederate cause.You may have difficulty as I did in recognizing a young Milburn Stone as Captain Mason; Stone went on to portray Doc Adams in the Gunsmoke series. George "Gabby" Hayes is on hand as a cantankerous old timer who cheerfully latches up with Burke for the adventure. The love interest is supplied by Pauline Moore as Lylah Sanford, originally engaged to Mason, but eventually choosing Burke in a rather quick turn. Rogers and Moore also teamed up in "Carson City Kid", released in the same year, 1940.Other than the Civil War backdrop, the story is rather formulaic, as Lieutenant Burke brings the villains to justice. There is a rather unique close to the story though; with Mason in custody, he wistfully explains to his brother how if this were Mexico, his captors would at least allow him to make a run for it, since he's going to hang for his treason anyway. As Burke contemplates this, Mason makes a break with predictable results. It's probably one of the most unusual endings for a Roy Rogers film, although the final scene is one where the Rogers' character gets the girl to give the film a happier ending.