robert-connor Towards the end of the second world war, an order of Italian nuns makes all attempts to secure the freedom of Jewish children held captive in a local concentration camp. However when the camp comes under the direct control of German troops, the Sisters' task becomes increasingly dangerous.Combing elements of The Von Trapp Story and Black Narcissus, Conspiracy of Hearts is a surprisingly powerful depiction of the clash between faith and might, as Palmer's Mother Superior stands firm against Lieven's uncompromising Nazi Colonel. The question of conscience and commitment to duty is repeatedly explored, from the perspective of both nun and soldier - Mitchell's Sister Gerta fears and doubts the Holy Order's actions, Sims' novitiate Sister Mitya is forced to confront her feelings towards Lewis's Major Spoletti, who in turn must choose between military duty and moral salvation. The juxtaposition between Catholicism and Judaism is also fascinatingly explored as the Sisters struggle to comprehend the facets of a different faith.Universally well-performed by the ensemble, as usual its the supporting performances that stand out - Yvonne Mitchell was a power-house actress and at the peak of her film career (shockingly she is all but forgotten now), and her transformation from angry doubter to selfless devotee is totally believable. In addition, Ralph Thomas coaxes extraordinary performances from his juvenile cast - Rebecca Dignam and Joseph Cuby are beautifully moving without being cutesy or maudlin (Hollywood child actors take note!). At the heart, Palmer creates a depiction of quiet strength, dignity and humour even if we could have coped with a little less lipstick and mascara!

Feckart I worry that at some time in the not too distant future the extent of the evil perpetrated during the 1930s and 40s will be forgotten. Watch this film and remind yourself that unless all good people stand strong, every day and every hour, these sort of events will keep happening, over and over again.In this shocking (certainly for 1960), depressing, heart-breaking, uplifting and surprisingly honest movie, we see that it is only through individuals taking personal responsibility for their actions that we can have any hope of building a world fit for our children.When I see films like this, and read the positive response from reviewers on IMDb, I still have some hope for the future.

bobmorgslu I first saw this movie in 1960 when I was 10 and was taken to see it with my mother on our weekly Monday night visit to the Cinema. I didn't go out of choice, It was just for me and my mother to get out of my Fathers way so he could get on with jobs about the house. I can't remember many films that I saw at that time but this was one of the few that stuck in my mind. I suppose it was that I could identify with the Children as they were about my age and that it was about the war. Those of us born in the 40's and 50's grew up with stories about the war. It was certainly a topic for discussion I'm our household as my Father had been a radio operator in the RAF from 1939 onwards.I can remember being deeply moved and disturbed by it even at that young age especially at the climatic ending. Since then I have seen it on TV as it occasionally pops up on UK TV often in the afternoons. The last time it appeared about 18 months ago I took the opportunity to record it on Video. I watch it when I need to renew my faith in mankind as it proves that even in the darkest times, there are people who will risk all for others and their beliefs and that goodness eventually triumphs over evil.

gelashe I saw this movie as a little girl with my mom. I was too young to understand or appreciate it. I got the opportunity to see it in my twenties and never forgot it. The last time it was shown, I taped it and have never seen it on T. V. again.The courtyard scene at the end is what I remember most. Other memorable scenes are: the nuns hiding the children at the bottom of the farmer's wheelbarrel while a Nazi officer stabs a pitchfork into it to make sure it is really garbage underneath, the German nun who was angry at hiding the children at the beginning, later winds up saving one of them by hiding her under her habit and the beginning of the film when the nuns asked a little girl her name, and she replies "Jew Dog". She said she had been called that so many times by the Germans that she forgot her real name, and at Yom Kippur when the children read the names of their families who are all dead. This is a wonderful movie. It is a shame it is not available on video or shown on cable.Lily Palmer as the Mother Superior is outstanding especially noting her beauty.