Susan Wilson This fast-paced film will have you on the edge of your seat, and totally blown away by the ending. The realism is convincing (not the usual melodrama one might expect for a plot involving adultery and deception), and Fardeen, Esha, and Isha all deliver excellent performances.The errant husband (Fardeen), living is his own fantasy world of having the perfect wife at home (Isha) and the sexy mistress on the side (Esha), soon finds 'reality' crashing down around him, and his world becomes a living nightmare, with a vengeful ghost only he can see -- and she terrorizes him mercilessly, in every part of his life, no matter how personal or intimate the situation; amazingly-crafted scenes throughout the film.The climax, totally-unexpected, is jaw-dropping -- don't miss this movie!

Avinash Patalay Post RGV Sholay, I dreaded to watch another Film Factory product. With expectations pined below zero, I begun watching the movie.Should the ghosts and spirits movie necessarily scary? RGV seems to have been inspired by Shaun Of The Dead which was a horror flick loaded with comedy.Fardeen Khan's role is akin to Pyaar Tune Kya Kiya only more sleazy husband.Isha Koppikar doesn't have much scope as a doting housewife and obviously running on older version when it comes to matters behind the closed doors. Seriously if you put the jigsaw pieces together it reveals what RGV is fetish about! Eesha Deol gets the meaty pie and this time she dons the Urmila's role in Pyaar Tune Kya Kiya. Only more freer, vengeful and spirited.... literally and figuratively.Zakir Hussain (a RGV regular) gets it wrong completely this time – he irritates. And so does Kota Srinivas Rao, both the roles should have been chopped completely.Upendra Limaye role should have been given more depth. And her killer-looks assistant was hilarious.Background score adds to the eerie atmosphere.The RGV style of camera-work is predominant here. Thankfully not struck (permanently at least!) to heroine's back as in his earlier works. Seriously is the cinematographer partner in crime too? Last but not the least, stop the close-up camera work. We have had enough! Darling does invoke good laughs thanks to the efforts by the lead actors. Though the end is contrived.

imspellbound7 Here the movie starts with the very good song. Then suddenly the story changes with the death of the heroine("I don't know how did she die just by pushing"). Fardeen khan then gets scared always and i doubt how come the police did not recognize when he is behaving in such a manner?K fine cut it out then comes the boring part of hero scaring for every thing and actually nothing is scary even i felt it sometimes to be a comedy movie. After first half Esha Deol comes as the spirit and at that time the movie catches some speed and we could see some interesting scenes and moments. The best part of the movie is the scene in the hospital in which Fardeen khan and his wife go to see his friend and there by the time he is lying Esha Deol beating him. She even beats his friend when he lies to help his friend. Overall the movie is not as good as RGV's Bhoot and not as worst as Ramu ki Aag.These points are only for Esha Deol who has done exceptionally well and Fardeen khan and Esha Kopikar have done a good job. All in all it's not a worst movie but it's not a good one either.

GP Sohil The movie starts out well, but around the middle part starts to falter. You realize that the director had a thread-bare plot which he tries to stretch out to the maximum, causing the film to feel begrudgingly slow.The performances are okay. Fardeen Khan does well as the man in over his head. Esha Deol was interesting and a convincingly good antagonist. Isha Koppikar, unfortunately, was not up to the mark. Fardeen's friend, Sameer, had an interesting role, but it feels like his role was chopped up at the editing table.The two police characters - Bhaskar Reddy and Malti - were terrific every time they were on screen. He the talkative one, she the stone-faced silent one.I wasn't exactly bored by the film, but I was aware of the slow pace.