paul2001sw-1 'Dead Letter Office' is a low-budget film about a couple of employees of the Australian postal service, struggling to rebuild their damaged lives. Unfortunately, the acting is poor and the links between the characters' past misfortunes and present mindsets are clumsily and over-schematically represented. What's most disappointing of all, however, is the portrayal is life in the office of the film's title: there's no mechanisation whatsoever, and it's quite impossible to ascertain what any of the staff really do for a living. Granted, part of the plot is that the office is threatened with closure, but this sort of office surely closed in the 1930s, if it ever truly existed. It's a shame, as the film's overall tone is poignant and wry, and there's some promise in the scenario: but few of the details convince. Overall, it feels the work of someone who hasn't actually experienced much of real life; a student film, with a concept and an outline, but sadly little else.

grunsel If the Australian Post Office ever needed a promotional film for recruitment then this is it.This is one of those movies who's heart is in the right place and you can watch again and again. Miranda's performance is touching as it shows an aspect of Australia unimagined by many Europeans, in that it can be cold, wet and bleak, just like anywhere else and just like anywhere else what is important is the people that surrounds you. The characters in the movie are warm and welcoming and make the prospect of a career move into a 'dead letter office' a thought to be considered. Miranda has gone on to do bigger movies, but I hope she always keeps a thought inside for this one?.

Slime-3 This little gem of a film tells a heart warming, bitter-sweet tale with classy acting and low-key direction. Lonely Alice takes a job at the dead letter office in order to track down the father with whom she lost contact in childhood. There she meets the apparently cold but super efficient manager, Franc, a refugee with a past which torments him. The basic story then progresses along lines you would expect with some nice twists and turns along the way. Alice and Franc grow to understand each other, while facing up to the realities of their previous experiences, and the realization that the past is impossible to recapture. Miranda Otto as Alice lifts this film out of the ordinary with a charming, sincere performance, a very pretty face and a dab of genuine star quality . George Del Hoyo as the tortured soul, Franc, is an effective polar opposite to Alice. He's cold and apparently cynical, Alice is wide-eyed and enthusiastic but both share a loss in their past. The supporting characters at the dead letter office itself , in which undeliverable and wrongly addressed mail is processed, are a curious bunch of misfits who add some comic touches and depth. The straight forward and un-flashy direction is effective in making the whole movie seem down to earth and realistic. A case of less being more. There are some fine memorable scenes ; Alice posting a letter to her missing father while striking a graceful balletic pose ; Frank practicing dance steps after hours in the office. Not high art, but quality no nonsense film making in which the story and characters lead the way and the director supports, rather than usurps them. A nice film and please can someone in Hollywood sign Miranda Otto as I could watch her all day!

mifunesamurai Letters with no destination end up in another world found in the back rooms of the post office. Here, Alice manages to land a job in hope of finding her lost father. What she does discover is the tormented soul of her boss, Frank. A quiet little Aussie flic that came and went at the cinema. Now you find it in the deep dark corner of the video shop, overshadowed by fifty copies of that dreaded GODZILLA film. It's a shame because this turned out to be a satisfying film telling a brave tale with strong simple images and effective performances from the two leads. This film succeeds where Garry Marshall's other dead letter office flic DEAR GOD (1996 - USA) failed, and comes close to the brilliance of, not the Kevin Costner turkey, but He Jianjun's POSTMAN (1995 - China).