jjnxn-1 John Garfield and Priscilla Lane always made a good team and this is one of their best pictures. Being a Warners film the subject of a young couple in love and on the run is given the gritty treatment that suits the story and the pair do very well in conveying the hardships faced. The wedding scene is particularly well played by both. As with most of the studios films at the time it looks at the problem through the lens of current events and society's ills. Not a timeless classic like Priscilla's Saboteur or Garfield's The Postman Always Rings Twice but a solid film with excellent work by the stars as well as the supporting cast.

kyle_furr A routine John Garfield film that Garfield really didn't even want to do. It starts out with Garfield serving thirteen months in jail for a crime he didn't commit and as soon as he's back on the streets, he gets on a train with two of the dead end kids and winds up getting in a fight with Ward Bond, who is hiding out from the cops. The cops arrest all of them and Bond says Garfield helped him when he committed the crime and he's sent up again for a crime he didn't commit. He's given 90 days on a work farm and he and warden take a disliking for each other immediately. That's when he meets the warden's daughter and there is a lot more plot to the movie but you can find that out for yourself.

jhumlong Poor Joe Bell, the typical anti-establishment loser stereotype role that John Garfield made famous. With the beautiful Priscilla Lane as he girl and the fabuous Warner contract players including the great Allan Hale Sr, the film although predictable, is still a classic of the torn, raw emotions of young love and fighting for vindication against being wrongfully accused of a crime he didn't commit. I have always liked Garfield, especially during the 1948 Senate whitchunt for communists. Garfield wouldn't talk and was blacklisted. This same attitude personified his conviction for the roles he played in most of his films except Humerques. The film contains a haunting melody that is sung on a phonograph record " Dust Be My Destiny" It really sets the theme for the emmotions of both Garfield and Lane that if they can't get a break in their life they might as well be dead! The melody for the tune plays throughout the picture and is aranged and directed by the great Max Steiner. The next time it plays on TCM, do yourself a favor and watch it with a friend!!

elif-4 This film did not go well with me at all, despite my expectations based on the name of J. Garfield. This is the first film I see with him, and I couldn't tell at all why he should be so well-known; no good-looks, no charisma, no powerful acting. However I read somewhere that Garfield himself didn't like the part and eventually broke his contract with the WB because he was being typecast. That might explain some things. And I agree that the small character roles are nice, but I find the dialogues too forcefully funny, so in the end not funny at all. The plot goes on and on, each time following the same lines of Joe Bell mistrusting people, proven wrong, getting his hopes high, then disappointed because he can not settle being searched by the police. And so many setting changes are really too much for such a studio film; from the prison to the camp, to the on-stage wedding [the worst bit], Nick's diner, trains, other towns, etc. Finally, the social theme of the film is being underlined to the point of redundancy, without ever elaborating on it an inch further.