Haasil

2003
Haasil
7.6| 2h41m| en| More Info
Released: 15 May 2003 Released
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Country: India
Budget: 0
Revenue: 0
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Synopsis

Anirudhh, a law-abiding college student, in love with Niharika, gets caught up in college politics and crime, and must fight it out for himself, when friends turn into foes.

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Ajit Tiwari This is not just a movie but a great depiction of the Northern India. Mr. Dhulia's directorial debut "Hassil" is a powerful drama about love, politics, deceit and of course our social values. The plot will give you an essence of Northern India's politics and intrusion of politician with our tranquil lives.The story is set in Allahabad (Uttar Pradesh) and revolves around Aniruddha (Jimmy Shergill) and Niharika (Hrishitaa Bhat) fall in love. Ranvijay Singh (Irfan Khan) an aspiring politician and opponent Gauri Shankar (Ashutosh Rana) are the real people in charge of the University. Aniruddha's companionship with Ranvija Singh engulfs him into deep trouble along with his beloved.Irfaan has done an astounding work, he is a born thespian. He goes straight into the character with amazing dialogue delivery in the local dialects of Allahabad. Jimmy Sheirgill proves that he can do wonders if he gets a good role. Hrishita Bhatt is fabulous as conservative college going girl and any north Indian girl can resemble with her. Sharat Saxena is veteran and looks like a real father who is worried on his daughter affair with other cast boy. Ashutosh Rana is just remarkable in his screen presence, with small role.The dialogues are powerful in the proper accent of Allahabad, a great research and character study by the director.The supporting cast was incredible and every scene looked so genuine that you will be engaged with the story. The voyage from a love story to a political thriller takes place in a first-rate pace. Thanks to Tigmanshu Dhulia who proves that we can make powerful cinema with an essence of rural India.This is highly recommended for the natives who watch the movies according to the characters not the stars in it.
Chrysanthepop Politics. there are many of us who hate it and refuse to be part of it. Yet, politics is what runs a nation. To quote a fellow commenter, 'if we don't take part in politics, someone else less worthy will take the reins in their hands'. This is what Haasil does. While the more recent films like 'Rang De Basanti' which glamourizes violence or an insipid 'Yuva' which fails to get the message through due to its several weaknesses have been hugely successful (the former being a commercial success while the latter was a critical success), 'Haasil' is one film that received comparative little attention but excels both films (notwithstanding the fact that it was released before).The screenplay is quite innovative and the narrative flows very well. Dhulia's storytelling is refreshing and he portrays the events with grit, realness and sensitivity. An example is the very gradual and somewhat subtle way he shows a carefree Anirudh's movement towards Ranvijay's party. Unlike 'Yuva' and 'Rang de Basanti' this one has no stars. It has actors, and that too, some of the best.Irfan Khan is phenomenal as Ranvijay. While we see Ranvijay as a brave ambitious leader, we see his weakness towards the opposite sex, particularly the woman he desires. Shergill too is fantastic as the young and naive Anirudh who's slowly drawn into the web of politics. Both these characters are very well-written with different shades. Ashutosh Rana is strictly okay as his character borders on caricature. Hrishita Bhatt has a strong presence and she holds her own. She and Shergill have a wonderful chemistry and their love story is quite genuine and well-handled. Tinnu Anand is quite likable as the father who's unsuccessfully trying to bridge the generation gap between his son and himself. Rajpal Yadav doesn't have much to do.The songs are quite nice but some could have easily been left out. For example, the Qawali sequence towards the finale, looked a little too dramatic and Bollywoodish. Actually the whole mosque sequence looks a little out of place. The screenplay is a little imbalanced. In the first half it balances the love story and the political chaos but in the latter half it shifts towards Ranvijay's obsession (why?) for Niharika. The sudden change in Irfan's character looks a little drastic, especially his outburst at Niharika's parents followed by his insane hunt. Then again, perhaps the outburst scene reflects his sexual frustration, a hint of which we see in an earlier scene when Anirudh jokes to him about his weakness with women. The ending too looks a little odd and rushed but one can understand why the director wanted to round it up this way. Also some situations required further development. For example, Ranvijay's attraction towards Niharika or how did Ranvijay manage to convince Niharika's father to marry her off to him?'Haasil' is a brilliant effort in spite of its flaws. It isn't exactly a masterpiece but is a lot more real and effective than the other successful films (I already gave two examples) trying to convey a similar message. Worth the watch!
Prateek Dham Firstly,I'd like to know more about this director Tigmanshu Dhulia.And why hasn't any producer taken notice of his talent till now.The lad has made such a fine movie that from what I see,this has put the Oscar winners to shame!And no freaking major recognitions for this movie in the country in which it was made and also which it has depicted so perfectly in its lens.Such movies are hard to make,and probably even tougher to get recognised.Isn't it?Irfan Khan has broken all the acting fronts through his debut performance as Ranvijay Singh,a wannabe politician,who takes up against the reigning student leader in his university,the character being portrayed so flawlessly by Ashutosh Rana.Irfan Khan has immortalised the character and the movie itself,at least in the hearts and brains of the ones who've seen this flick.Despite hailing from the state of Rajasthan,he's played the part of a UP guy and perfected the accent so easily,it makes you stand up,take notice and applaud the efforts.Jimmy Sheirgill is good as the lead,but Hrishita Bhatt leaves a lot to be asked.She was arguably the weakest link in the movie,which was dominated by the great performances and the dialogues of its characters.When I saw this movie,I became Irfan Khan's fan,and I can assure the same fate for any other cinema lover!This movie is as realistic as it can get and I simply love that for Indian cinema.
xpics Anirudh (Jimmy Shergill) and Niharika (Hrishitaa Bhatt) are university students. With a couple of songs and a peck on the cheek, love blooms between the two. Meanwhile Anirudh befriends a college leader Ranvijay Singh (Irfan Khan) who uses him to win votes from the students. Turning a deaf ear to the warnings of his friends and lover, Anirudh gets sucked into the dirty world of Ranvijay's politics. He shoots a man and has to flee to Mumbai. But when he realizes that he has fallen prey of Ranvijay's conspiracy to marry Niharika, he decides to fight back.The movie starts off impressively depicting a realistic picture of the unrefined environment at the U.P. campus. The crude behavior and aggressive lifestyle of the characters is deftly portrayed. Every aspect of the political functioning and the gang-rivalry is looked into, in detail.But the outcome is hampered when the plot deviates from campus politics to the predictable zone (love story of an obsessed Ranvijay) in the second half. The director fails to clarify many points in the narrative. For instance, when and where does Ranvijay develop an attraction for Niharika? And how does Niharika's father agree to marry off his daughter to this gangster, while he doesn't approve of Anirudh? After repeatedly pointing fingers at the corrupt political functioning, a chief minister turns out to be good at heart (because he used to be a school headmaster once)! Certainly not a good idea to terminate the otherwise hard-hitting story! Also the much-talked about climax at Maha-Kumbh lacks novelty. The dialogues and language used in the film give it a very real and earthy feel.One word for Hrishitaa – gorgeous, that's it. Jimmy emerges out of his candyfloss image. The scene-stealer, of course, is the sulky-eyed Irfan Khan inducing life in every frame of the film, flawlessly.Certainly not a masterpiece, but a good break from the usual stuff