MartinHafer
You can't take the story in "Hollywood Cavalcade" as gospel. It is a story about the silent film era and while it has many parallels to real people and events, so much of it is fictionalized that it is NOT a true history of early Hollywood. Now this isn't a complaint--just a warning for the viewer not to believe everything in the story. So, while Don Ameche's character may seem a lot like Mack Sennett and Alice Faye's may seem a lot like Mable Normand, they are, in fact, fictional. And, while you do see a lot of old silent comedians (such as Buster Keaton), the stuff they do often has little to do with their silent careers.The film begins with an excited film maker (Ameche) discovering a talented stage actress (Faye). They begin making films in the 1910s and quickly become a sensation making comedies--and later, dramas. She is devoted to the man BUT he only thinks about making movies and seems to have no interest in romance. When she tires of this and finds another man, her career and that of her mentor are in for some rocky times.What makes this film really unique is that Faye does NOT sing in this one! Instead, there's a bit of comedy, quite a bit of drama and some romance. Another unique thing is that this 20th Century-Fox film actually talks about a film from another studio ("The Jazz Singer" from Warner Brothers as well as mentions of Vitaphone early in the film)--something unheard of at the time. And, it's also unusual because it's Alice Faye's first Technicolor film. But, most importantly, while the film has a lot of formula (such as the very familiar unrequited love theme), it is quite entertaining and worth your time.Oh, and by the way, although pie fights are a HUGE part of the film, in fact they were very, very rarely done in films. Apart from a Laurel & Hardy film ("The Battle of the Century") and a few sound films (such as "The Great Race" and a Three Stooges short), there aren't that many pie fight films--perhaps only a half dozen or more in all. And, our perceptions that slapstick films abounded with the fights is probably due to "Hollywood Cavalcade".
bkoganbing
After doing a character based on Fanny Brice in Rose Of Washington Square, Alice Faye in Hollywood Cavalcade decided to do an early version of the story of Mack and Mabel for Hollywood Cavalcade. Alice does not come to as tragic an end as Mabel Normand and Don Ameche as the Mack Sennett character had far more grandiose ambitions than Sennett ever had.Budding young director Don Ameche sent to sign stage actress Alice Faye for a studio instead signs her to a personal contract and then uses that to blackjack studio boss Donald Meek into a chance for him to direct the film. Meek reluctantly caves in, but the film is a hit, a star is born and nothing succeeds like success and careers for Ameche and Faye are born.Ameche loves Faye enough, but never shows a tender side always thinking of business. She marries co-star Alan Curtis and they become instead of Mack and Mabel more like Douglas Fairbanks and Mary Pickford. Ameche in a fit of pique tears up their contract and then makes a series of bonehead decisions that tears up his career.For reasons that remain inexplicable Darryl Zanuck decided to cut a version of Alice Faye singing Whispering and the song is only heard in the background. As the song perfectly suits Faye's warm contralto, film fans are left with a loss. Maybe it will be restored one day to Hollywood Cavalcade.The main weakness of Hollywood Cavalcade comes from Ameche who is too much the nice guy to play the part he does. This role far more suited Tyrone Power who had the hero/heel down to perfection.On the plus side we get to see Buster Keaton playing himself and many of the original Keystone Kops in a film showing the development of slapstick comedy. Alice takes a good pie in the face. And Al Jolson repeats his singing of the Kol Nidre chant from the Yom Kippur scene in The Jazz Singer. Good thing Faye was not involved in a scene with Jolson because after working with him on Rose Of Washington Square she could not stand him.Hollywood Cavalcade is not a bad film, but some mistakes made in casting and in editing left it not as good as it could have been.
lugonian
"Hollywood Cavalcade" (1939), directed by Irving Cummings, became 20th Century-Fox's answer to David O. Selznick's ever popular and often imitated Hollywood story, "A Star is Born" (1937) featuring Janet Gaynor and Fredric March. As with "A Star is Born," "Hollywood Cavalcade" begins with opening titles in type written form on a movie script, and, with the exception of theatrical screenings of silent comedies and re-enactment of "The Jazz Singer," the entire production is in Technicolor. Unlike "A Star is Born," however, the photo-play goes back further in time, in fact, during the silent years of motion pictures instead of a ten year cycle concluding to the present day. While one might expect Gaynor to appear in this "Star is Born" imitation set during the cycle where her career actually began, the surprise turns out to be Alice Faye, better known for musicals, whose screen career started in 1934, assuming the role as a silent movie queen. Don Ameche, on the other hand, minus his famous mustache in the early portion of the story, is appropriately cast as Faye's guide and director.As for the fictional account to an existing era, the plot begins in 1913 where Michael Linnett Connors (Don Ameche) and his partner, Dave Spingold (J. Edward Bromberg) come to New York City where they attend a stage production of "The Man Who Came Back" featuring Molly Adair (Alice Faye), an understudy filling in for Trixie Farrell, whose come up with laryngitis. Although Molly's performance comes across as bad, it does attract some attention by Connors, who offers her a studio contract in "pictures" for $100 a week. At first she declines, but after much persuasion, she takes him up on his offer and heads for Hollywood. Molly's screen test for Globe Pictures makes an impression, especially in a slapstick comedy starring Buster Keaton where she accidentally gets a pie in her face that has audiences roaring in laughter. Pie throwing comedies become a sensation, but eventually fade for more sophisticated productions. As years pass, Mike attempts new ideas, making Molly as top star in dramatic roles. While Molly has fallen in love with Michael, his mind is mostly on his work, creativity and his own movie studio bearing his name. He realizes his error too late when Molly marries Nicky Hayden (Alan Curtis), her leading man (who was discovered working in a gas station). Having lost Molly, whose career is at its peak, Michael falls to hard times, with no movie offers due to his big budget costs and bad temperament towards his actors and crew. With the 1927 premiere of "The Jazz Singer" that becomes the talk of Hollywood, putting an end to the silent era, closing a chapter to old careers and opening the door for the new, the studio is faced with the dilemma as to what to do with Molly's unfinished silent production of "Common Clay" with Michael now back in the director's chair.A great idea to an old story, "Hollywood Cavalcade" is a fun film to sit through, full of nostalgia and re-enactment of how silent movies, especially comedies, were made. Guest appearances by silent comics now past their prime including Buster Keaton, Ben Turpin and Chester Conklin are a plus; Eddie Collins, Hank Mann, Heinie Conklin, Snub Pollard and James Finlayson adding to the enjoyment as The Keystone Kops; with added bonuses of comedy director Mack Sennett delivering a testimonial at the Cocoanut Grove; Lee Duncan, the man who discovered Rin-Tin-Tin, the first dog superstar, as played by Rinty Jr.; as well as the legendary Al Jolson appearing briefly in the Sabbath prayer sequence of "Kol Nidre" from "The Jazz Singer" during the latter part of the story. Up to then, the fun has dimmed due to melodramatics and tragic circumstances that take up the second half with harsh realities taking place during the close of an age of silent movie making.In the supporting cast, look for the familiar faces of Stuart Erwin as Pete Tinney, the cameraman; Donald Meek as Lyle P. Stout; Jed Prouty, Chick Chandler, Irving Bacon, Willie Fung, and much more.Because Alice Faye was a specialized singer, it's a wonder why the screenwriters didn't think of having her perform in an early sound musical? A missed opportunity put to better advantage years with MGM's "Singin' in the Rain" (1952) starring Gene Kelly and Debbie Reynolds. As for "Hollywood Cavalcade," it's sadly forgotten due to lack of revivals, even with Technicolor, though it would have been more authentic with black and white photography. Out of circulation for many years, it did have some repeated showings on American Movie Classicscable channel in 2001, followed by the Fox Movie Channel where it can currently be seen and studied by film enthusiasts. Thanks to its authentic recreation of a bygone era and a grand first hour or so, "Hollywood Cavalcade" is recommended viewing. (***)
