JohnHowardReid Photographed in black-and-white CinemaScope. Copyright 1958 by Metro-Goldwyn-Mayer. New York opening at Loew's State: 20 August 1958. U.K. release: 14 September 1958. Australian release: 23 October 1958. Sydney opening at the St James. 88 minutes.NOTES: This picture certainly had a considerable cult following from 1959 through 1962. It often figures on undergraduate lists of best movies for these years and was a frequent starter at university film society screenings.COMMENT: Metro here vitiates a very entertaining idea by its own indecision as to whether to go right out for droll laughs, or whether to go for battle-action heroics. The result is a disappointing compromise in which laughs get us too relaxed for many thrills, and "thrills" get us too screwed up for many laughs. Metro has gone all out publicizing the story about a sergeant who, to keep up morale among a few straggling American troops surrounded by Germans, puts on a dead general's uniform and begins masterminding more-or-less comically original counter-blows against the enemy.Glenn Ford, continuing in the dry, quiet comedy vein that suited him so wonderfully well in his previous two films, has less agreeable material to work with on this occasion, but he invests most of it with his customary pleasantly bumbling fun. His efforts to dodge one pretty nasty G.I. who would know his true identity, and to play-act a plausible top-brass manner for the benefit of officers who think he ranks above them, are developed amusingly — but by no means to their full potential.Unfortunately, Ford's comedy is inhibited from time to time by the script's demand that he make grave speeches about the great qualities of the dead general whom he supplants. Apparently the M-G- M brass feels that American sergeants could not possibly be more brilliant in generalship than generals generally are. Alas, it is by humorously pushing this squaring-off argument too far that the movie on several occasions fails to move and goes flat and soggy.Fortunately, Red Buttons shines brightly as a whimsical corporal "in the know", but the lovely Taina Elg seems somewhat colorless as the French girl whose shattered cottage is used as the general's headquarters.

jwindwalker Though I'm not a big fan of war movies I have seen this movie over and over again when I was younger, and was one I searched high and low on Blockbuster and such to see again. Ford and Buttons are marvelous and the movie walks the line between humor and the reality of the horror of war with real class... Would SO love to see it again!!Ford's character was a n'er do well scammer who had made rank and been busted back more times than he could keep track of when he met an honorable man, a General, who went to the front lines though it was dangerous in hopes of rallying the troops... but was killed before reaching his goal. Inspired Ford decides to take over the mission and poses as the General.One of the best scenes I remember was the German tank heading towards the village and Ford putting up a sign on the bridge saying that the bridge was mined so that the Germans would take the tanks thru the creek bed and expose their underbelly. But NOT going to tell you what happened.

moonspinner55 Frightfully dull, colorless comedy-drama about an Army sergeant in WWII France who hopes to preserve combat morale by impersonating the recently-killed General Officer. One-idea script is shot just like a play, with unimaginative camera set-ups and a stodgy, static direction. In the leading role, Glenn Ford is amiable as always--though, once again, hardly spectacular; supporting work from Dean Jones, Red Buttons and Taina Elg is underwhelming. A thankfully forgotten relic of 1950s cinema, and what exactly possessed these talented actors to take part in such banal material is a question which may never get answered. * from ****

bsnyder-3 Imitation General is an absolutely hilarious tale set during World War II. Glenn Ford's portrayal as a Army sergeant who impersonates an officer is well worth seeing. Supporting roles played by Red Buttons, Dean Jones and Tige Andrews add to the mayhem. This is classic comedy from the late 1950's and should be released to video for the next generation to enjoy.