Keys to Tulsa

1997 "Murder. Blackmail. Deceit. ...There's no place like home."
Keys to Tulsa
5.2| 1h53m| R| en| More Info
Released: 11 April 1997 Released
Producted By: Gramercy Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Richter Boudreau is on a bad streak: Languishing in the shadow of his celebrity mother, he loses his job as a film critic for the town paper, and now he's been approached with a dangerous proposition that ultimately leads to blackmail. Richter's friend Ronnie ropes him into a scheme to steal the inheritance of his wife, Vicky.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Gramercy Pictures

Trailers & Images

Reviews

ccthemovieman-1 I am glad to see most other people here don't think much of this movie, either. It has some big names in the cast, but that's it. There is nothing else to recommend, save ogling a few pretty women which you can do in a thousand films.The story involves nothing but unlikable, self-centered, chain-smoking, "hip" characters that national film critics all seem to like....and most of the public can't stand. The Oklahoma accents are so fake they are laughable, the southern racist stereotypes are right from Liberal Hollywood 101 and the story is depressing.
solongsuckers The worst movie of all time? It's on the VERY short list. This is the most lifeless, souless, plotless mess that I have ever witnessed and isn't remotely as fun as any bad Ed Wood movie. Eric Stoltz, looking like Bridgette Fonda's twin sister, er brother, laughingly fakes his way through this as some kind of stud. Defying all laws of science, Stoltz "attracts" every woman that he comes up to. Michael Rooker portrays somebody, possibly a Southern stereotype but I have yet to see anyone who looks or acts like this while I've lived in the South. This movies's problem, other then the terrible acting, the lifeless characters and the dead story, is that it knows nothing about places like Tulsa, Oklahoma, yet portrays them with a seriousness that makes you believe that they live there. We find out what the "plot" is about an hour and a half into the movie. It has something to do with white people being evil. The problem is that there is not one black person in the entire movie (other then a waiter with a five second part) and the story is being told by rich, white actors so there is ZERO credibility and is completely insulting. Until the "plot" unfolds an hour and a half into the movie, people stumble around and don't do much of anything. On top of that, there are very few moments to fast forward through. Beyond awful. On the positive side, I did use to like the moody "Keys to Tulsa" theme until I realized that it was depressing. Oh yeah, James Spader is in this and James Spader is cool. That's it.
Flank Rroyd Light On the other hand , James Spader is seen here as a very menacing and masculine character and Deborah Unger , Eric Stoltz and Cameron Diaz all do a fine job of showing us the kind of trouble that wealth coupled with boredom can get a spoiled and no longer quite that young brat or two into . I enjoyed it . I got it out to see a bit more of Ms. Unger , but I gained a much greater appreciation of Mr. Spader .
eoliveri Forget what some of those other reviewers said--this is a good movie! (Perhaps the plot twists were a little too challenging for them to follow.) The acting is great--especially Deborah Unger and James Spader. And Mary Tyler Moore does a great holier-than-thou slut-turned-society-swell. And Cameron Diaz is dead-on as a ditzy blind date. And Joanna Going does a hot striptease. And ... and ... hell, just see it.