Lost Souls

2000 "They've had their 2000 years... now it's our turn."
Lost Souls
4.8| 1h37m| R| en| More Info
Released: 13 October 2000 Released
Producted By: New Line Cinema
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A young woman becomes aware of a conspiracy to enable the Devil to walk the Earth in human form. To defeat the prophesy, she must convince a respected New York crime journalist, who is devoid of faith, that he is in fact the target of the conspiracy.

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Leofwine_draca LOST SOULS is another religious thriller that came out at the turn of the millennium. There were loads of these made with titles such as BLESS THE CHILD, END OF DAYS, and STIGMATA, and truth be told not many of them are very good. As a rule they've dated quite badly since release like a lot of early 2000s films and most aren't worth bothering going back and watching, and I'm afraid to say that LOST SOULS is such a film. It's not totally bad but it's not very interesting either.The main character in the movie is played by British actor Ben Chaplin who becomes involved with some exorcists and weird characters who follow him around. He soon learns that he's part of an age-old prophecy which is supposedly about to come true but being an atheist he's having none of it. A fine-looking Winona Ryder is the obsessive who follows him trying to convince him that the prophecy is indeed real.For a horror film this is surprisingly limited in scope. There are a few clichéd scare sequences and various weird characters running amok. At least they don't go through all the old possession routines which is usual for a film like this. The problem with LOST SOULS is that it's such a boring production. The Catholic characters are lifeless and dull and actors like John Hurt fail to bring them to life. The writing is very ordinary and even shocking events fail to seem out of the ordinary. Director Janusz Kaminski has done some good work as cinematographer but he has little aptitude for directing as evinced here.
Ferox Ludum This movie, beautifully shot and paced with great discipline, has one of the great twist endings in all of horror/suspense cinema.It seems that perhaps the director relied too heavily upon the intelligence and observational powers of his audience; the unbelievable twist at the very last few seconds of the film went unnoticed by most of them.** POSSIBLE SPOILERS? **When I watched this movie for the first time I sat stunned as the credits rolled. The unexpectedness of the ending took my breath away. I feel sorry for those linearly minded viewers who missed out on the experience. Try watching it again without getting so invested in your beliefs about which characters are evil and which are good. Keep an open mind about the nature of deception and that the Devil is supposed to be the Father of Lies. Pay closer attention to the criteria that are given, in moments of exposition throughout the film, for the Devil's return. What characters might fulfill those criteria?
Greg I can make absolutely no sense of each and every one star review which calls this film horrible as well as the 4.7 rating. It is unfathomable to me. The cinematography alone should warrant a rating of at least 5. This is a subtle religious horror flick that I have to assume people rejected because of the lack of scares and gore. However, the performances, direction and cinematography are all top notch. Though Lost Souls was marketed to look like a demonic scare-fest, I would compare this film to the likes of The Exorcism of Emily Rose. In fact, I would not be surprised if the makers of that film borrowed quite heavily from this one, both in style and effects. The premise is relatively simple: A small religious sect believe the coming of the anti-Christ to be near, sitting dormant in a human body. The biggest praise that I can bestow upon this film is that over 12 years later, this film still looks like it could have been made yesterday. In fact, it looks uncannily more modern than a large majority of recent horror efforts. Lost Souls simply does not age. Another popular factor in why this movie is so poorly rated and received is the fact that audiences just did not like the ending. I feel sorry for those that do not. The ending is original, and though it did not satisfy blood thirsty Hollywood horror fans, it is very much appropriate for this film. To put it simply without spoiling anything: faith is the central core to Lost Souls, those with it and those without. That is what this ending plays off of, and I think it's perfect. Please do not let any of these negative reviews divert you from seeing this film. This is not End of Days or Stigmata. Lost Souls is not camp in the slightest. It is a dark, beautifully shot and well acted film that is significantly ahead of it's time. 7/10
Siamois Maya Larkin is the assistant of an exorcist priest. One day, she deciphers what she thinks might be a code in the revelations of one of the possessed victim she interacts with. A code that may lead to unveiling the identity of the man about to become the anti-Christ.I remember seeing this movie at the time it came out and being terribly disappointed and frustrated because there were flashes of brilliance beneath all the crap. The perspective of seeing the first movie directed by one of the greatest cinematographer of our time, Janusz Kaminski, was enticing for any film buff. Furthermore, it was around the turn of the new millennium and so a lot of horror and occult movie fans were waiting to see a great film tackling those genres. It just seemed... topical. Unfortunately, we were treated to several attempt who all flopped and Lost Souls was one of the worst tries.At the heart of every movie is a story and here, the writers have done an awful job. A bunch of amateurs wouldn't screw up this bad. Who opens up a movie with a fictional quote from the bible? What kind of awful writer can't come up with genuine material from such a huge book? But here, the writer have come up with an awful story that goes like this. Satan is going to possess a man (born of incest) on his 33rd birthday. Wow. The central character in the story is Maya Larkin, played by Winona Ryder. I was never a big fan of Ryder but recognize her appeal as a generation X icon. But this role probably was the final nail to her declining A-list status. Larkin is a poorly written character that doesn't make any sense. She doesn't act like a real person nor does her presence around people of the church feels remotely believable. I think Ryder could have done better here but certainly, she started at a disadvantage due to writing. Opposite Larkin is Peter Kelson, a writer who specializes in demystifying the mind of serial killers. This secondary character is less sketchy and comes alive thanks to actor Ben Chaplin. At the time the movie was shot, Chaplin was an unknown actor. This was on the heels of his role in the acclaimed Thin Red Line. I must say that Chaplin's performance is one of the few redeeming qualities of this movie. He is always believable and his acting in the final scene is what makes Lost Souls still memorable to this day. Surrounding these two characters are a bunch of nonsensical characters who act pretty like pawns. Most are played by crappy actors although we get two amazing veterans as well in key roles. Philip Baker Hall and John Hurt are wonderful actors but here, they had nothing to work with. Their characters are sketchy, incongruity abounds and it looks like they mailed their performances. Aside from Chaplin's performance, the other saving grace of this film is the cinematography but here, we have a mixed bag. Many scenes of exteriors and interiors have a jaw-dropping beauty and ethereal quality to them. This movie, it must be said, has aged very well in this respect. There's a timeless quality to the cinematography that is certainly due to director Janusz Kaminski. One of the main person responsible for the look of several Spielberg movies, among others. Many scenes are delightful and atmospheric. However, this is a mixed bag. Every scene where tension should be present pretty much flops. For instance, all the exorcism scenes are awful. And seem to come straight from a FOX occult show like the X-Files, using black and white image and devoid of absolutely any impact. You never feel scared. Worse, it doesn't even feel tensed. As a viewer, you just sit there and remotely watch was is happening. Kaminski is also totally unable to film kinetic scenes. Any scene where a car bumps into something, or people draw knives or guns is sketchy, unfinished, amateurish and devoid of any life. Much has been said of "plot twists" within the film. You can read about those in the Lost Souls forum on IMDb but really, none of the theories hold of to any scrutiny. What we have here is not ambiguous writing with possible twists but just plain bad writing. The final scene impacted me as a viewer but can't save a movie that has a nonsensical plot that isn't even remotely based on genuine religious history. It's just made up stuff by awful writers, turned into a movie y a first time director who was way over his head. It's still heartbreaking because there are things Janusz Kaminski obviously excels at but the overall direction of a film was too much at this point. Maybe a more solid script would have helped him. Since then, Kaminski has been back to his cinematographer gig alongside Spielberg. He never directed a movie again but here we are, ten years later and it appears his next directorial effort is in production. Hopefully he learned from the previous experience!Avoid Lost Souls at all costs, or skip to the final scene.