w-hermans89 Regardless the mediocre acting and cinematography, my prime concern about this movie is the way it portrays the current happenings in the Dutch society, in the hopes of inciting more debate about topics that are already heavily discussed.I cringed at the scene where Max (an ambulance driver), under pressure of feeling to have to act out against the (unfortunately all too customary) hindrance of and violence against public service personnel, lashed out against a bystander who tried to calm his friend and Max down during a verbal quarrel that resulted because of a group of youth purposely obstructing the ambulance from reaching a woman in labour. This is ridiculous and a perfect example of how politically laden this movie is. There is one particular group of people, with a certain ethnicity that is particularly notorious for the aforementioned obstructive behaviour with regards to public services (and has come under fire for this) and what this film is trying to make clear here is that we should refrain from thinking in black and white (which I agree with), but this entire situation does not reflect reality, at all. There can be no debate about this: Max deserves to be trialled for manslaughter – he used violence, regardless his motives, against someone who was actually trying to calm things down. This is however, completely unrealistic! I know this from experience and from people who have had jobs at public services. It would've been different, if the people who obstructed the ambulance had attacked Max first, and then Max would have been on trial for manslaughter (and sentenced, which unfortunately happens a lot, as well), which would have made more sense, would have actually reflected reality and relates directly to the debate about how and to what extent people should be able to defend themselves.This film screams: "you Dutch people are xenophobic and racist and should stop judging people from certain ethnicities". Another horrible example of this is the remark of one of the bystanders, in another instance during which the ambulance personnel is hindered, at Max' co- driver (who happens to be Muslim, but is as Dutch as can be) that "Mecca is that way.". I am ashamed of this atrocity of leftist propaganda that sketches a twisted image of what is happening in the poorer, urban parts of our country (namely the continuous harassment of citizens by people of a certain ethnicity and their continuous perpetration of criminal offenses) for the people who live their lives happily in their ivory towers of the middle and upper class.In Dutch: deze film slaat de plank volledig mis.

dusan-22 Very intelligent movie with the art film moments. Excellent acting, very good European camera school, good editing. Can't find anything bad about it. Casting was superb and actor who plays Max was just made for this role. Great drama and hard social question about the world we live in with the pretty critical answer suggested. Moral dilemmas in the world without moral are turning against our hero. Then, heroism is relative and changeable in time but money stays the main master. Power of mass control presented by the character of an evil showman looks exactly as the world we live in controlled and operated by mass media. It twists and turns the public opinion when needed and by that controls the moral values by its material needs and not by the need for true. What happens to an honest man as Max in such world is getting lost and then losing himself. Very intelligent portrait of the modern world moral values versus a good man. And one more thing: the movie is definitely not a thriller.

Rob Broekhof Grading this movie with a "five" means grading as "doubtful". Why?! The Movie starts with a quote from a Prime Minister from the Netherlands (from 08/10/2010 until 23/04/2012). A free translation of this quote: "We want to reclaim society from the bastards".I resent that kind of promotion of collective fear, especially because of the way it came across to me in this movie.In the beginning I was able to recognize what was happening; after several drawbacks and being torn between being considered to be a hero and a criminal … the main character "Max" snaps … BUT … how this turns out in the end, was very unlikely.I believe the film should have ended at the point where he drew a gun on those young bastards that were harassing him all the time. One of the intentions of Max was to balance the escalation level of this degenerated conflict … I do not think that there would have been any other way … the law really does protect bastards too much I guess.Alas, Max kept on degenerating after that, and this is where I felt it became doubtful … because how to reclaim society from the bastards when people like Max also become a bastard?! Until then, I think that he truly made a pretty successful effort to act sane! On top of that … I really wonder whether these annoying boys or Max represent the TRUE bastards of society …I guess not … and I do feel that all bastards are basically full of fear … and that the enemy is within US … and it's called FEAR as well … the FEAR for the need to defend yourself in situations as depicted in this movie, and … the FEAR for yourself to do really bad stuff to other people ... to make a true effort to find out how "Room 101" needs to be prepared for someone you dearly hate ... an example of the danger of individual FEAR.Room 101 is a place introduced in the novel Nineteen Eighty-Four by George Orwell. It is a torture chamber in the Ministry of Love in which the Party attempts to subject a prisoner to his or her own worst nightmare, fear or phobia ... another example of the danger of collective FEAR … the FEAR that this Prime Minister and the movie makers are promoting

billcr12 The word doodslag means manslaughter in Dutch, and it begins with an ambulance responding to a stab victim, and after calming him down and telling him that he will be fine, but as they drive to a hospital, he flatlines. They stop and attempt cpr, but he dies. Max blames himself for the man's death for underestimating the seriousness of the injury.He gets a new partner, Amina, a Moroccan woman, and their first call is for a bad drug reaction at a nightclub where a nasty, racist comic is performing. As they revive the girl the host insults them both, including anti Muslim remarks aimed at Amina. They leave and when watching television, see that they were being taped at the club. The next emergency is for a woman with a difficult childbirth. On route, the two are stopped by Moroccan youth, demanding that they help one of their friends with a head injury. Amina bandages it and tells them that the kid will be fine, but they insist that he be taken to the hospital. Max explains the need to leave quickly for the pregnant woman's emergency. As they argue and one of the boys yells at them, Max punches him in the face, he hits his head on the curb and dies. Max and Amina manage to save the mother and baby but the police arrive and arrest Max. He serves one year in jail for manslaughter and can't get a job when he is released from prison. The vicious comedian who insulted him earlier in the nightclub hires him as a driver and has him join the act onstage, where he manipulates the crowd, depending on Max's responses to questions about the night of the trouble. Max apologizes to the family of the boy he killed, but the harassment continues, including Max's girlfriends house being burned down. He is assaulted and responds by getting a gun for intimidation. He confronts the comic he drives around and the movie just fizzles out at the end. The story and editing are haphazard, with very poor structure, so at best it is a 5/10.