Platypuschow Starring Adrien Brody and Maura Tierney this little thriller has some good ideas but thoroughly fails to correctly utilize them.It tells the story of a cop facing her demons while getting pulled into a case where a millionaires wife has been kidnapped and buried alive. The kidnappers are demanding cash for her location, but is everything as it seems?Though I don't consider Brody a competent actor he is suitably evil here and plays the part well. Lead Tierney however is a passable actress with a real likeability fact, sadly she seems to be stuck with one single facial expression in every scene of every role she has ever taken. If I had to describe it I'd say the look of a woman who just witnessed her cat pee in her handbag 2 minutes before she's due to go out.What lets the movie down the most is the weak sub-plot, it just simply isn't needed and takes the movie in directions it simply shouldn't have gone down. Due to this the actual plot feels watered down and not given 100% of the attention (Which it should have had).Oxygen isn't terrible, it's just decent ideas in the hands of poor writers.The Good:Cast are competentCouple of good ideasThe Bad:Sub-plot damages the filmShould have been longerThings I Learnt From This Movie:I don't like Adrien Brodys faceA cat may have peed in Maura Tierneys handbag

sol1218 **SPOILERS** Really bizarre crime thriller about this mentally unbalanced kook who believes himself to be the reincarnation of legendary escape artist Harry Houdini. This concentration camp survivor looking like individual goes by the name, no big surprise here, of Harry played by a emaciated looking skin and bones, a body that's perfect in escaping from straight-jackets and handcuffs, Adrien Brody.Together with his partner in crime Greg "Handsome" Evens, Michael Henderson, Harry kidnaps both Frances Hannon, Laila Robins, and her pet Pooh,played by Duke the Dog, as she was out walking him outside her luxury apartment house one afternoon in Midtown Manhattan. Held for one million dollars in ransom money Harry demands from Frances' millionaire art collector husband Clark, James Naughton, that if he doesn't get the cash by 6:00 Am the next morning she'll be dead; Dying from suffocation by being buried alive in some unknown location outside the city limits.The movie starts to get really strange when NYPD lady Det. Madeline "Maddy" Foster, Maura Tierney, is put on the case. With the police and Det. Foster casing out the money drop at the Queens Cemetery, where Harry Houdini just happens to be buried, Harry-the Psycho-leaves himself wide open to be captured by walking right into the trap that the police set for him. After a French Connection style car case thorough the city Harry is finally captured and put into police custody. It's then when we finally realize what exactly Harry's motives in kidnapping Frances, and her pet pooch, really were! They turned out to be just as crazy and unpredictable as he is!We also get to see Det. Foster's dark and secret life as a S&M freak that she's been keeping from her boss in the NYPD as well as husband Capt. Tim Foster, Terry Kinney. This strange and destructive lifestyle is quickly picked up by, who's very obviously into S&M himself, Det. Foster's captive Harry! With that knowledge in mind Harry does everything he can to get under Det. Foster's skin making her job, in finding the buried alive France's Hannon and her Pooch, much harder then it already is.***SPOILER ALERT*** We soon get to find out just that the not all there upstairs Harry really wanted to get himself caught in order to prove that he, like his hero Harry Houdini, can escape from any situation he finds himself in. Like being locked up in a jail cell in a New York City police station! Harry also uses his knowledge of Let. Foster's hang ups, as being into S&M, to cause her to lose her cool by hinting to her hubby Capt. Tim what a crazy freak he's married too. In the end Harry like most nut-cases like himself overplayed his hand in thinking that he's, not the NYPD, in control of what's going on in the movie. That leads to Harry ending up just where he put Frances, in a pine box, with him not worried about suffocating to death because of lack of oxygen because by then he wouldn't really need it anyway!P.S Earlier in the film there's a big chase scenes under the Brooklyn West-End elevated subway line that starts at the 62nd Steet station. It's that very same subway station where the exciting car chase in the film "The French Connection" ended with NYPD Det. Popeye Doyle gunning down his attempted assassin Frog #2 after chasing him down, after he derailed the hijacked subway train that he commandeered, and trapping him there!

Joeromeo-2 Warning this is an awful review so if you want to watch the movie skip to some one who wrote a good review or who liked the movie. Still reading? Here is how I would get through this piece of junk. What I did was get some work out and leave the pig rolling on in the background. I worried that the my work on my laptop might have suffered but I watched the pig and answered emails even with this diversion I still hated it. It was a study in futility. Bad Characters. Lifeless and unbelievable acting I mean truly awful. I feel bad for the folks who saw it in the theaters.OK so it had some great stars I liked looking at the film faces so I blame the director on this pig--Cut together like a story that never made sense to the director and if the editor convinced him to run it backwards maybe they could have saved the pig. The story line is a wanna be "Seven" With Brad Pitt. this so called female cop is boring.Again Don't blame the actors blame the director--He stunk this one up but good. In the end the stupid thing ends with the woman being saved and who cares. Watch it while your doing something else like waxing your car.

Framescourer There is some remarkably good acting in this factory-line "psychological thriller". I also quite enjoyed the on-location shooting in NY. Apart from these arguable caveats this is a film which, with the mad-hatter's tea party concept exposed half-way through the (undoubtedly excruciating) filming process, whoever was in charge of production lost heart and ran off the final cut thinking only of limiting the losses.Is the film the study of a schizophrenic thinking he's Houdini or an essay in dealing with self-destructing obsession? It doesn't know. Is it a The Silence of the Lambs bandwagonner? Of course, but looks more like a diluted TV spin-off. But the ideas are the good (well, OK) bit - there's a lot of potential in bringing characters' psychological issues into narrative parity with the more conventional thrust of the psych-thriller. Look at Jane Campion's In The Cut.No, the film is let down - dropped - by scrappy editing that undermines the acting (which is really very good indeed from both Tierney and Brodie under the circumstances), an excess of small, interpolated scenes designed to explain but which simply patronize and stun the pace - and then turn out to be cul-de-sacs anyway - and some of the worst continuity errors I've ever seen in a film. Ideal viewing for the cinematically mawkish 2/10