dee.reid I have an odd history with the "Patlabor" series of Japanese Anime' OVAs, TV shows, comics, and feature-length Anime' films.I saw "Patlabor: The Movie" (1989) when it was first released in a limited edition DVD set back in 2006. I had the good fortune of watching the movie over the Fourth of July weekend that year, and I must say that I remember thoroughly enjoying the picture for what it was: a detective story mixed with a strong science fiction backdrop laced with all sorts of thematic material about technology's ascension over human beings (there is little doubt, in my mind, that the story was inspired by "Blade Runner").But I've only seen the movie once, unfortunately, which was just that one time. Now over the Christmas break 2012, I have the fortune of watching the film's sequel, "Patlabor 2: The Movie." If you remember, the series is set over what at that time was the future (1998-2002). The story involved large robots (called "Labors") that were used for both construction work and law enforcement duties; the series focused mostly on the law enforcement Labors, which are called "Patrol Labors" ("Patlabors").Mamoru Oshii (most famous for the 1995 sci-fi cyber-thriller "Ghost in the Shell") returns for the directorial duties of the sequel (as does Kazunori Ito on the screenplay, who also worked on the script for "Ghost"), which is set three years after "Patlabor: The Movie." The film shifts the focus of the story from Noa Izumi and Asuma Shinohara, the plucky heroine and hero of the first movie, to Kiichi Gotoh, the understated yet calculating commander of the Tokyo Metropolitan Police Department's 2nd Special Vehicles Section (SV2), Division #2. He and his immediate superior Commander Shinobu Nagumo attempt to investigate a series of terrorist incidents that they believe are the work of a disgruntled ex-Japanese Self-Defense Forces officer named Yukihito Tsuge. His main goal appears to be revenge for a failed United Nations Labor operation in Southeast Asia three years earlier in 1999."Patlabor 2: The Movie" is a very plot-heavy film with a strong political subtext meant to raise questions about Japan's place in world affairs in the late 20th century/early 21st century. Make no mistake, this is a politically-charged Anime' film, one that may be lost on non-Japanese audiences that addresses Japan's role as a (forcibly) pacifist society as a result of its defeat in World War II. According to Carl Gustav Horn in the booklet for the DVD of "Jin-Roh: The Wolf Brigade" (1998), Tsuge's campaign of domestic terrorism is meant to force Japan to face up to its largest "political contradiction": Its forced rejection of war (as a result of Article 9 of the 1947 Japanese Constitution - which was written by the Allies, not the Japanese people themselves) and the fact that Japan must rely on the United States for its primary defense (as a result of the U.S.-Japan Mutual Defense Treaty of 1954). Tsuge's plan, in effect, almost brings Japan to the brink of war. It is a troubling question, but a thoughtful one of what Japan should do to defend itself - without violating its commitment to peace (or at least within the confines of stiff Article 9 regulations)."Patlabor 2: The Movie" is a great film, one that may not be as action-packed as the first movie, but it's a more thoughtful picture than the first movie.10/10

evesygal I was like many people upon viewing this film for the first time. I could sit through it without getting bored or falling asleep. It's not your typical robot anime at all. Its more than that really. The film isn't like its mecha predessors - its not about the action. And if your watching this film purely for action than you will be disappointed. Because this film is mostly dialogue and politics all the way through. But once you have a greater understanding of the film, you will realise as I have how wonderful and amazing this film actually is. The film is a commentry on Japanese 'common-sense' pacifism to war. It asks the viewer to question this pacifism: how can Japan claim to be peaceful nation if it ignores the security of others. The film makes it's point very clear, and it is effective in bringing this message across. But of course if you only want to watch the film for its action sequences, then obviously your missing the point of what makes this thoughtful film so amazing to watch.

Katana_dk "Japanese cartoons are for kids"...This is yet another movie to show to people who wrongfully believe that!A movie like "Ghost in The Shell" and the series "Neon Genesis Evangelion" have proven to contain more plot in the screenplay, and even afterthought in the mind of the audience, than most Hollywood-movies I know of. "Patlabor 2" is definitely another addition to my list of movies I would say disproves the first sentence in this comment.As other commenters have noted, "Patlabor 2" resembles a Tom Clancy political thriller. The storytelling was so good that it got my heart racing in some scenes, and that is saying a lot from my point of view (Trust me on that one - I've seen "The Others" and similar movies, without moving a muscle when the rest of the theatre screamed).If the story was tightened here, and the plot was elaborated there, "Patlabor 2" could be made into a Hollywood-movie as a frame-by-frame copy! I really mean that - There is always room for improvement, but in my opinion there are only very minor blemishes to the flow of the movie. I enjoyed every second, although some other commenters found the "slow parts" boring or irrelevant.The music (or lack thereof) is also definitely worth a mention. It's hard to describe - I just couldn't imagine it being any different for this movie. The reason I write lack of music is because there are scenes where any Hollywood-producer would have slapped on some generic classical music, but in this case there is none. For example there is a scene after a climax where you just see different parts of the cityscape, with snow falling, and there is no sound at all. THAT's movie-magic. It's part of what draws me to this strange, exotic type of movies - it's so different than what most of us are used to.Recreate the visuals using a film-camera, actors and a special-effects crew, copy+paste the music, label it "made in Hollywood" and you've got yourself a blockbuster-hit!Japanese cartoons are for kids - not. If you have a brain, and an attention-span bigger than your average action-monkey, this movie is for you.

emaan Director Mamoru Oshii gets it right the second time round. His penchant for deep philosophical stories is executed with the right touch of pathos and aided greatly by the superior quality of animation and more "mature" character designs.Followers of the TV and OAV series would know that the chief of Section 2, Goto harbours a crush for chief Nagano of Section 1. However, being the stoic man that Goto is, he could never openly admit his affection for her.The plot focuses on Nagano's past as a brilliant student of labor tatics - and her relationship with her much older mentor.Their affair was doomed as he was a married man. The political fallout caused her high-flying career to to come to a halt and ended up with her posted to the "lowly" Special Vehicle Section 1.Her mentor took charge of a UN labor peacekeeping force which got slaughtered in the jungles due to inept commands from his superiors. He returned to Japan a changed man.The story is a vastly superior adaptation of "SV2's Longest Day", one of the outstanding episodes in the first OAV series. The film is filled with poignant scenes and quiet, surreal sequences in the heart of the city that are a prequel of sorts to Oshii's masterpeice Ghost in the Shell. Like I said, fans of the series will especially appreciate Goto's dilemma in the closing scene.