morrison-dylan-fan After watching the superb French Neo-Noir The Connection,I started looking for other titles about to go from Netflix UK. Recently keeping a look out for unique movies from Asia,I stumbled on a landmark Asian American work,which led to me taking a photo.The plot-Japan 1918:After the death of her dad,Riyo's aunt makes arrangements for her to be a "picture bride",where a marriage is arranged via exchanging of photos. Shown a photo of hunky Matsuji,Riyo agrees to the wedding. Leaving Japan for a plantation field in Hawaii,Riyo gets set to meet handsome Matsuji. Meeting Matsuji,Riyo is shocked to discover a less than picture perfect likeness. View on the film:Given the film a much needed moment of lightness, Toshirô Mifune gives a very funny performance as The Benshi in his penultimate role,which gives cheeky nods to his Kurosawa work. Drained of any hope when she meets Matsuji for the first time, Youki Kudoh gives an exquisite performance as Riyo,with Riyo's painful desire to escape being one that Matsuji expresses with a simmering murmur and a cold shoulder towards Matsuji (played by a terrific Cary-Hiroyuki Tagawa.) Painting her debut,co-writer/(with Diane Mei Lin Mark & Mari Hatta) director Kayo Hatta (who drowned in 2005) and cinematographer Claudio Rocha give Riyo's pain a strikingly lyrical quality,via the weaving of songs and sounds of moving plants giving the title an oddly supernatural atmosphere. Largely holding back from big melodrama scenes,Hatta gets under the relationship of Riyo and Matsuji by stiltedly going round the plantation in picture perfect shots.

gavin6942 The story of 16-year-old Riyo who journeys to Hawaii in 1918 to marry a man she has never met, except through photographs and letters they have exchanged. Hoping to escape a troubled past and to start anew, Riyo is bitterly disappointed upon her arrival: her husband is twice her age and Hawaii is not the paradise she expected.What really stands out about this film is the look on the new bride's face. I understand her shock of meeting her husband and finding him to be old, but she maintains this look of shock and despair for quite a while. I would expect a marriage like this to be something you accept if you are going to go into it, but she had clearly not thought it through.Also, historically, it is interesting to consider the role the Japanese had in Hawaii. Americans who may not know about Hawaiian history or culture might only connect Japan to the Pearl Harbor attack, but it happens to be the case that a great many Japanese had settled on the islands. At the time Hawaii became a state (1959), there may have been more Japanese than Europeans there.

ccthemovieman-1 This is a Japanese film but there is quite a bit of English also spoken in here. It's a pretty film, with nice visuals, featuring the scenic beauty of Hawaii.However, that was the only redeeming quality for me. The story was generally boring. Who wants to watch a young woman sulk for 90 percent of the film because her "picture" husband is a lot older than he advertised he was? Granted, that could be a bummer......but get over it!Only in the last 10 minutes does she do an about-face and become fond of him. By then, for most viewers, it was too little-too late. We'd fallen asleep by then.

airb For a mature man, to admit that he shed a tear over this film is a mature response, to a mature film.If one need admit more then perhaps one could say that, "Life" can never be the same, after viewing such advent for it has moved us to the next level.