Coventry I have a strange and inexplicable fondness for horror movies that feature eerie & sinister nursery rhymes… So, in spite of the mediocre rating and overall negative reviews around here, I already knew I was going to love "Picture Mommy Dead" from the very first minutes, because it opens with grim images of a woman's bedroom on fire and Zsa Zsa Gabor lying dead amidst the flames, and we simultaneously hear a kids' choir gently singing: "The worms crawl in, the worms crawl out… in your stomach and out your mouth!" All this happens even before the equally macabre opening credits appear on screen. To me personally, there aren't many better ways to begin a horror movie. Furthermore I also shamelessly admit being an admirer of director Bert I. Gordon, even though he's widely considered as one of the worst in the genre and frequently the target of mockery in popular shows like MST3K. Although his oversized animal attack movies ("Food of the Gods", "Empire of the Ants") are undeniably more entertaining, "Picture Mommy Dead" might very well be Mr. BIG's finest achievements. Sure it's still a little rough around the edges, with some very inept editing and far too many dialogs that are overlong and laughably melodramatic, but nevertheless also an atmospheric film with seriously sick & disturbing themes and several powerfully uncomfortable sequences. Edward Shelley goes to pick up his teenage daughter Susan in the secluded convent where she spent several years in order to process the traumatizing death of her mother. Susan is the primary heiress of her mother's fortune, which unwarily brings her in a lot of danger. Daddy got married again, with Susan's former governess Francine. She's a totally immoral and money-hungry woman who constantly manipulates Susans as well as her own husband, and she even non-stop suggests calling a head-doctor in order to accelerate Susan's return to the madhouse. There's also creepy Uncle Anthony, a nastily scarred freak who whispers in Susan's ear – in great detail – how her mother slowly and painfully burned to death. Even her own beloved daddy behaves mysteriously, because he's completely broke and only has access to the inheritance in case Susan dies or gets declared insane again. The poor girl soon begins to suffer from awful nightmares and vivid hallucinations, but are they real or inflicted on her by her hypocrite family members? Martha Hyer truly gives a remarkable performance as the wicked stepmother! Her exaggeratedly phony and hypocrite attempts to help Susan remember the whereabouts of a valuable necklace definitely form the highlights of the film! Also impressive are the numerous hallucination sequences, which are quite perverse and shocking for 1966. We have bleeding paintings, diabolical dolls, accusing furry animals and even a spontaneously combusting Zsa Zsa Gabor! In order to quickly cash in on the huge contemporary success of "The Birds", Bert I. Gordon is even clever enough to insert a couple of fierce falcon-attack sequences. The climax is deliciously demented and I daresay even somewhat romantic (in a sick and perverted kind of way). Apart from the aforementioned Martha Hyer and Zsa Zsa Gabor, "Picture Mommy Dead" also features notable and atypical performances from Don Ameche and Bert's own daughter Susan Gordon. Recommended, of course, what else did you think?

preppy-3 Young Susan Shelley (Susan Gordon--the director's daughter) is released from an institution three years after witnessing her mother's (Zsa Zsa Gabor) death. Her dad Edward (Don Ameche) has remarried to a young beautiful gold digger named Francine (Martha Hyer). Susan moves in with them and immediately starts having hallucinations of seeing her dead mother...and a necklace. Is she going crazy again?OK thriller--not as bad as it sounds. It moves fairly quick, has a few nice jump moments, there's a fairly bloody (for 1966) murder and I certainly did not see the ending coming. Beautiful house too. The only big debit is Gordon. She looks way too old for her role and just simply isn't a good enough actress. Ameche isn't much better. However Hyer is having LOTS of fun with her role and makes this fun to watch. The flashbacks with Gabor are fun too. So no great shakes but OK. I give it a 5.

grantch 34 years have not dimmed the memory of this super low budget thriller. The special effects remind me of a Mario Bava film because maximum use is made of camera angles and light and shadow. Mind you, I only saw this shocker once at a remote air base but, along with the early Dario Argentos (Bird, Cat & Flies), What's the Matter with Helen?, Who Slew Auntie Roo?, and Romero's original Night of the Living Dead, this flick hit my funnybone and I remember its twisted plot and shocking ending as fondly as I remember those schlocky Bill Castle masterworks, Homicidal and Strait-Jacket. Seriously, the film is a fun ride and if you like Grade B thrillers, you'll get a big kick out of it. So, please, put it on DVD before the film stock dissolves!

Hoohawnaynay One of those low budget films that had lots of style. Filmed at the famous Doheny Mansion in Beverly Hills, opening scene has a horrendous bedroom fire consuming the dead body of Zsa Zsa Gabor. I first saw this in the 70's and being a teenage pyro I was fascinated by the fire sequences. Teenage girl Susan Gordon (Producer Bert Gordon's daughter) gets let out of a convent 7 years after her mother (Zsa Zsa) gets crispy in the previously mentioned fire. Seems the girl still has some issues and things get wierd after her dad (Don Ameche) brings her back to the house where it happened! (How tacky is that?) Enter her old nanny (Martha Hyer) who just wed Daddy Don Ameche. Seems Martha wants to get her hands on an old Diamond necklace Zsa Zsa reported missing before the fire. Seems Martha is a bit of a tramp and will let anyone grab a hold of her Double D cups that will tell her where the jewels are hidden. Dig the crazy scene where Susan scratches a portrait of Zsa Zsa and the picture starts to bleed! They don't make 'em like this anymore. Wendell Corey makes a rare appearance (right before he died) as a surly character who likes tormenting Susan with remarks about the fire like "it must be what hell is like" just to watch Susan twitch out big time. Great bit of film noir (even in color) this movie has lots of shadows, great photography & direction, even the scene where the bedroom is ablaze is photographed in an almost beautiful way with the flames towering up expensive drapes and ashed slowly cascading down. Great fun, it's on video I hope they put this film on DVD. Of course, anything with Zsa Zsa Gabor is a hoot, even though here she is essentially playing herself.