Aly_Bird I don't like writing reviews a lot but that movie is a piece of art when it comes to the performance of Dinklage!!Wow he's a helluva an actor!! he got very deep and transparent facials!Here's the bloke's bio from IMDb itself to whom wants to know more about that magnificent actor! ======= Peter Hayden Dinklage was born in Morristown, New Jersey, to Diane (Hayden), an elementary school teacher, and John Carl Dinklage, an insurance salesman. He is of German, Irish, and English descent. In 1991, he received a degree in drama from Bennington College and began his career. His exquisite theatre work that expresses brilliantly the unique range of his acting qualities, includes remarkable performances full of profoundness, charisma, intelligence, sensation and insights in plays such as "The Killing Act", "Imperfect Love", Ivan Turgenev's "A Month in the Country" as well as the title roles in William Shakespeare's "Richard III" and in Anton Chekhov's "Uncle Vanya".Peter Dinklage received acclaim for his first film, Living in Oblivion (1995), where he played an actor frustrated with the limited and caricatured roles offered to actors who have dwarfism. In 2003, he starred in The Station Agent (2003), written and directed by Tom McCarthy. The movie received critical praise as well as Peter Dinklage's work including nominations such as for Outstanding Performance by a Male Actor in a Leading Role at the "Screen Actors Guild" and Best Male Lead at the "Film Independent Spirit Awards". One of his next roles has been the one of Miles Finch, an acclaimed children's book author, in Elf (2003). Find Me Guilty (2006), the original English Death at a Funeral (2007), its American remake Death at a Funeral (2010), Penelope (2006), The Chronicles of Narnia: Prince Caspian (2008) and X-Men: Days of Future Past (2014) are also included in his brilliant work concerning feature films.His fine work in television also includes shows such as Entourage (2004), Life As We Know It (2004), Threshold (2005) and Nip/Tuck (2003). In 2011, the primary role of Tyrion Lannister, a man of sharp wit and bright spirit, in Game of Thrones (2011), was incarnated with unique greatness in Dinklage's unparalleled performance. The series is an adaptation of author George R. R. Martin's A Song of Ice and Fire series, and his work has received widespread praise, highlighted by his receiving the Emmy Award for Outstanding Supporting Actor in a Drama Series at The 63rd Primetime Emmy Awards (2011) and The 67th Primetime Emmy Awards (2015), as well as the 2012 Golden Globe Award for Best Supporting Actor - Series, Miniseries or Television Film.In 2012, Dinklage voiced Captain Gutt in Ice Age: Continental Drift. In 2014, he starred in the comedy horror film Knights of Badassdom and portrayed Bolivar Trask in the superhero film X-Men: Days of Future Past. In 2016, Dinklage provided the voice of The Mighty Eagle in The Angry Birds Movie.

EatMyWords When not attempting at depth with its ramblings on memories--They shape our entire lives! We repress our memories over time! We escape the grief they bring and the true meaning they hold!--"Rememory" sports a decent mystery plot supervised by a quality actor desperately trying to maintain the interest of an already repressing audience. Marketed as a sci-fi-movie, fans of the genre will rightfully mock the film for using its sci-fi-apparatus (the memory-recorder) simply to highlight its themes with the gentleness of a sledge hammer to the forehead.The film is interesting in one regard though: Contemporary society is obsessed with the concept of recording events, essentially creating visual and auditory memories for the future. People go to concerts and snaps away at it with their cameras rather than looking at it with their own eyes, accident scenes are rife with bystanders whipping out their phones to capture moments of shock, sorrow, carnage etc and even criminals stop themselves in their track to document their unlawful conduct. Dealing with similar themes by introducing a device recording perfect, actual memories is therefore an interesting concept. The problem is that this particular offering and its creators are obviously not the ones to tackle them. Its conventional investigation-plot, slogging pacing and sensationalist script makes it hard to engage with the thematic material.That said, the aforementioned mystery that quality actor Peter Dinklage lords over is passable as entertainment. The plot revolves around dead psychologist Gordon Dunn (Martin Donovan). He is the creator of "the Machine." Sam Bloom (Dinklage) is an acquaintance of him from the past and someone who nurses some dark memories. Bloom takes it upon himself to solve this murder that happened during mysterious circumstance. With the help of the machine (acquired in contrived fashion) he proceeds to sample through recorded memories from test subjects, looking for clues as to who could've had a hand in the murder. Besides the subjects there's also Dunn's company, desperately wanting the machine returned so they can release it on the market (how they lost their incredibly valuable product and their ineptness at getting it back grates). So who did it? From here its a familiar stew of red herrings (some good ones, others not so much), final act explanations (some helpful, others completely needless) and a web of narrative possibilities (nicely visualized by scale models built by Bloom to assist him in his investigation).In terms of style there is not much to be impressed about either. Shot in traditionally saturnine thriller/mystery-fashion with the occasionally injected pretty imagery of "important" memories. Mood-wise it's not much better: Hallucinations appear before our main character but rather than alarming us they annoy and the horrid score by Gregory Tripi is of no assistance. When entering the memories there also seems to be a contradiction: Entering memories sometimes gives the appearance of watching it from the audience perspective (you see subjects as well as the watcher interacting with an environment) while at other times providing the first-person perspective of the watcher. Perhaps a stylistic choice by the director bearing significance at the moment evading me, but perhaps just as likely pure indifference.----All in all, not terrible but certainly stupid, pretentious and slow. Watch it for Bloom's investigation and the excellent acting from Dinklage, especially the scenes with Julia Ormond (Dunn's widowed wife Carolyn) whom play off of each other well despite the forced screenplay----

chasburnsesq Man of the moment Peter Dinklage takes main role in this little beauty. I've never been keen on his acting (tortured soul type) - but hey it obviously works. I've been watching him for a long time (check The Station Agent 2003 which is when his career really kicked off) "Space Pants" aside - which is probably the reason for his tortured soul - Rememory is a nice little detective /mystery / Sly-fi (my new term for sci - fi films that aren't that futuristic, you have my permission to use it, the entire new series I'm working on at the moment is Sly-fi.. But I digress..) Finally a film that doesn't concentrate on his size.. although you might still.. He really appears to be spear-heading the small person in a film without prejudice. 7.4/10

subxerogravity I don't know if this is the first time Peter Dinklage leads his own movie, but hopefully it will not be his last, cause he really made this film. He just had me so into what was going on all the way to the big revealed in this murder mystery. In it, Dinklage plays a man who lost his brother in a car accident, and can't remember the last words he said before dying. It messes him up badly, until he discovers a man who invented a machine that can recall and playback your memories and while he attempts to get a hold of this machine, the inventor mysteriously dies and he gets caught up in trying to find out how he died. The movie is a little above average. It was an interesting mystery, mostly because of the cleaver plot device that centers around it (The machine that can record your memories, giving it a bit of a Sci-Fi appeal) but the real reason to see the movie is Dinklage who gives a fine performance to focus on rather than any loop holes you might find.I think this movie took so long to get into theaters because of Anton Yelchin's death. They may have had to do some reediting or reshoots to accommodate his passing. It does not seem to effect the movie any, but who knows how good the film could have been if his passing actually did delay it's release. Plus, he's the other reason I went to see the movie. I also enjoined Julia Ormond in the film, who played the inventor's widow. The parts she shared with Dinklage especially really pop out at you. I did not go into this to see her, but it was an extra added surprise. Definitely something great to watch. A decent murder mystery with a cool plot point made really better with the help of Dinklage, Ormond and Anton Yelchin (RIP).http://cinemagardens.com