Ace-38 While I was born about 2 years too late to have even been alive during Woodstock, this TV movie about the first band to play this legendary festival was informative and did an excellent job of telling this story. The story's primary focus is on Nansi Nevens...a young girl with a golden voice who fronts an unknown rock band and takes them straight to the top, only to fall prey to the demons of fame. Amy Jo Johnson (who has been primarly known as the Pink Ranger to this point) does a stellar job as young Nansi, and delivers surprisingly good vocals on the Sweetwater songs (yes, she sang, check the credits)The story is believeable, and focuses on a typical American trait..."whatever happened to......." Good turns from Michelle Phillips as present day Nansi (perhaps exorcising a few 60's demons of her own??) and the rest of the cast add to the enjoyability of this movie.This was VH-1's first shot at making movies, and based on this movie I will likely watch any others that are made. A good addition to their "Behind the Music" series, as you learn much about the characters and the history of the first band to play Woodstock

BruceC Usually, made-for-TV movies turn out to be simply filler, without much substance. Not so in the case of Sweetwater, a film about the first group to perform at Woodstock, and then never heard from since. Amy Jo Johnson turns in a very impressive performance as Nansi, the band's lead singer, who suffers an agonizing blow to her career after a near-fatal car accident which scarred her vocal chords. The movie shows the height of her fame (Woodstock), and then the tragic crash and burn of a singer who refused to give up her life as a singer, until she almost lost her life to booze and destitution. The movie was pretty powerful emotionally, and VH-1 did a great job by following up the movie with a "behind the scenes" look at the real performers of the group, in a "where are they now" kind of format. The one thing I would've liked to see in the movie would have been a showcase of more of Sweetwater's songs. Unfortunately, the predominant song throughout the movie was "Motherless Child", which started to get on my nerves by the time the movie ended. But, all in all, a decent movie - one that VH-1 should be proud of.

amyontheend Normally, I don't watch the movies on VH1, but this one caught my eye. I didn't know much about Sweetwater, and the story interested me. I don't have to blab how good it was or flaws or anything, but all in all it was entertaining. Amy Jo Johnson did a great job making her character, Nancy believable. If you have the chance to see it before VH1 stops playing it, I suggest you watch it. For me, at least, it was worth my viewing time.

Hermit C-2 I was intrigued when I heard that the music channel VH-1 had chosen the band Sweetwater as the subject for its first original movie production. After all, a band which didn't even get their 15 minutes of fame and who 99% of the potential viewers never even heard of wasn't exactly what one would have guessed would be their first project. As it turns out, there was a story worth telling about the rise and fall of this band who never got anywhere near the top, but did hit rock bottom.Lest anyone doubt it, Sweetwater actually did create quite a buzz for a brief time with their exciting live appearances, especially at the large rock festivals in the summer of 1969. However, their first album release failed to capture that live energy and the multi-ethnic band with the flutist and cellist quickly dropped from view. What most fans never knew was that Nansi Nevins, the lead singer of this 7-piece group with a Caribbean/Latin jazz flavor, was in a serious auto accident not that long after their Woodstock appearance, an accident which greatly diminished her singing voice. The band struggled on for a while, but without her identity and visual focus as well as vocal talent they had no future.Nevins' story is the focus of the movie and she hits the skids after her accident in true rock star fashion, but she is redeemed eventually. Amy Jo Johnson plays her and does her own singing. As a co-star on 'Felicity' she sometimes gets the chance to sing as well, but those are usually quiet introspective songs and she probably relished the chance to belt out a few tunes for this film.The problem, though, is that this is a TV-movie, and almost by definition that means a more bland, homogenized product than a theatrical release. The compelling true story helps ameliorate this built-in shortcoming and, all things considered, it was a decent flick.In a newspaper review of this film there was the suggestion that the backers of this movie had some sort of financial interest in promoting the recently reformed Sweetwater's comeback and that this movie was part of that effort. I don't know if the same sort of standards we apply to politicians and such apply here, but it is a potentially sticky situation. On the other hand, one could hardly think of a less lucrative moneymaking vehicle than this band, based on their past track record. I am grateful that someone took a chance on this rather arcane subject matter; we could use more of that from television. On balance, I'm glad they made 'Sweetwater,' the movie.