Claudio Carvalho The prominent Dr. Clitterhouse (Edward G. Robinson) becomes a burglar to study the criminal mind. After four heist, he meets the fence Jo Keller (Claire Trevor) that has a hotel to cover-up her activities. He decides to team-up with her gang to observe the thieves in action using the alias The Professor and becomes close to Jo. However the gangster "Rocks" Valentine (Humphrey Bogart) decides to get rid of The Professor and double-crosses him up during the heist of a store. When Rocks discover the true identity of The Professor, he blackmails Dr. Clitterhouse that sees only the ultimate crime to resolve the situation: murder. What will happen to Rocks and Dr. Clitterhouse?"The Amazing Dr. Clitterhouse" is a cynical black-humor comedy with Edward G. Robinson and Humphrey Bogart and screenplay by John Huston. The plot is funny, with hilarious situations of Dr. Clitterhouse, a prominent doctor that uses his relationship with the high-society and the chief of police to rob and understand the criminal mind. In the end, is Dr. Clitterhouse sane or insane? My vote is seven.Title (Brazil): Not Available on Blu-Ray or DVD.

secondtake The Amazing Dr. Clitterhouse (1938)Don't get your hopes up for a lost Warner Bros. classic. This is good stuff, fun and all, and it does star Edward G. Robinson in his prime, but the plot is too clever and cute for its own good, and the lighthearted feel makes it sometimes almost trivial. As if the movie makers themselves know this is a throwaway.Not to knock it too hard. It does have Humphrey Bogart about to become a famous star, and it has Claire Trevor in the role as a moll (which is a bit odd for her, but you should see her in "Born to Kill" for her best at this). Robinson plays a doctor who is so detached from reality he decides to research the physiology of criminals while they are committing a crime (pupil dilation, blood pressure, etc.). And since that's hard to do, he starts doing his own crimes. And since he's a celebrated doctor, he gets away with all of them. At first you think, how fun! And you expect it to really wind up into either a crazy comedy or a real crime thriller with the downfall of this great man. It avoids either and ends up in a kind of compromise. It's sometimes funny, and it has elements of watching this man get himself cornered by his own activities. There is no pathos here, however, and the humor is breezy, not hilarious. Bogart and Trevor are the more serious side, but they are used to offset Robinson in his slightly silly role. In all, the plot churns along and you end up enjoying the details, the acting, the dark Warner Bros. filming.The director is worth noting. Anatole Litvak, whose style using dramatic light and moving camera is evident here. He also had a tendency for melodrama, which is not apparent at all. He had just come to the US for a four year contract with the huge Warner Bros. and this was his second film with them. I assume that required adjustment. You can, oddly, still (perhaps) feel his style in the way scenes are laid out and shot.A well-made but trivial film? There were lots of them, and this is completely enjoyable. And Robinson, as always, is wonderful.

evanston_dad What a fun movie! Edward G. Robinson plays a respected doctor who decides that the only way to truly understand criminal behavior for an academic study he is writing is to become a criminal himself. He joins a thieving ring run by Jo Keller (Claire Trevor, looking hotsy-totsy) and proceeds to both help the thieves with their crimes while at the same time studying them for the biological and psychological effects of their actions. Trouble arises when Jo's right-hand man, played by Humphrey Bogart, begins to feel like a third wheel, and blackmails Robinson when he discovers his true identity.This film is a real treat. It's funny, creepy and suspenseful, all at the same time. Robinson begins to enjoy being a criminal, and his detached approach to crime makes him capable of committing murder without a second thought. Is he sane or insane? That's the question a jury must answer at the film's climax, and one the viewer still won't be able to answer after the movie's over.Robinson, Trevor and Bogart have enough chemistry together to start a fire, and the three of them would team up again 10 years later for another terrific film, John Huston's "Key Largo." Anatole Litvak provides the fluid direction.Grade: A-

Neil Doyle John Huston co-authored the script for THE AMAZING DR. CLITTERHOUSE and whatever fun he was having with the concept of a respected doctor who turns to crime in order to become a method criminologist by joining a hoodlum gang of thieves, it doesn't quite jell.At no time does director Anatole Litvak let us know that this is supposed to be a comedy or spoof of Warner gangster films. However, audiences must have found the idea more than a little offbeat to be taken seriously.Making things further unbelievable is the way CLAIRE TREVOR plays the gun moll with such intensity, but immediately takes a liking to the amazing doctor after opposing his very presence among them. Her shift to tender romantic feelings is blatantly unrealistic.HUMPHREY BOGART's role at least makes sense. He's the only gang member to take an instant dislike to the good doctor when he sees how assured he is in taking charge of things the moment he lands in the den of thieves. But the story takes a grim twist toward the end, dealing with Bogart's fate.Another absurd angle is the gang's willingness to have the doctor performing his blood tests on them as a part of his research project every time they go on a heist. Add to this the courtroom ending with some unbelievable happenings and you have a crime drama (or is it a crime comedy?), that rarely makes any sense and strains credibility at every turn.EDWARD G. ROBINSON is fine as the doctor and has one especially good scene where he plays cat-and-mouse with THURSTON HALL to find out whether the man will be willing to represent him at trial.Robinson, Bogart, Trevor and director Huston would all reunite ten years later for a much finer film--KEY LARGO--which utilized Trevor's talent in a much more rewarding way.At best, this is a curiosity that holds the interest but can make you impatient with the absurdity of it all.