dangabriel This movie is about Brian Cox... Director Dagur Kari provides a stage. Paul Dano is great being a looking-glass. But Brian Cox's Jacques is monumental, he literally carries the action from the first second he steps in. He energizes the viewer, no matter how one classifies his moral actions. The bar scene is one of surrealistic charm, dwelled by decameronesque characters and maintained as a personal fiefdom by Jacques. The short story on the cover is "A bartender takes a young homeless man in under his wing" but there is so MUCH more to it. Lucas (Paul Dano) represents here a humanity clear of prejudice, pure and immortal. The suicide attempt doesn't stop him. Nor does death itself, his heart symbolically living on in another body. Supporting actress Isild le Besco is somehow incongruous, offering not believable French accented replies. Underwhelming, as her debut movies in France, where her naked skin prevails. Probably a strong actress, I am thinking here Emily Mortimer, or Marie-Louise Parker, or, -if they really wanted a French one, how about Sandrine Kiberlain? -would have done much better. Solidly memorable, Brian Cox gives this movie so much personality and energy that only true talent can offer. In line with Anthony Hopkins and Ben Kingsley, Cox is another Musqueteer of a generation of powerful performances from Britain to enchant us. Watch this great movie, and a bar will never look the same to you!

tom van de Bospoort Brilliantly dark and hilarious. Shot in a bar in Reicuvic, Iceland by the director of Noi Albinoi, and the two brilliant actors from the mesmerising L.I.E. With a brilliant performance from Brian Cox.The director has the way of putting his own Icelandic feel to this movie with its very greenish feel in the artistic shots. which were shot in New York and a mocked-up bar in Reicuvic.Totally brilliant humour throughout mixed with the serious moody Brian Cox and upbeat Paul Dano, merges together once again to give a good mix.Definitely the best thing I have seen in the 2010 EIFF, and one I recommend for all to see.

PersianPlaya408 Dagur Kari's film The good heart was a good way to start a film festival in my eyes. I just got back from the screening, and although this film i heavily dramatic, i have to say the audience was laughing quite a bit, as was I. Its not a comedy though, just a film that some great comedic reliefs, and does a great job portraying a story of human interaction. In this case, Brian Cox is spectacular as a bitter, foul-mouthed and at times cynical barowner who takes in a homeless man in his early 20s (Dano) who he meets while being roommates with at the hospital where he has his 5th heart-attack. The film's strength lies in its script which gave its talented actors (mainly Cox, but also some talented character actors in the supporting cast who played some regulars at the bar). The cinematography is perfect and has aesthetic qualities, colors that show authenticity of the bar atmosphere. the Score is also quite suitable, and perfectly adds to the whole experience. Dagur Kari created somewhat of a gem with this film. perhaps it was also an advantage that i saw this in an impressive venue, on opening night of cinequest in the "California Theatre" with what seemed like almost 7 or 8 hundred people in attendance.

larry-411 I attended the North American Premiere of "The Good Heart" at the 2009 Toronto International Film Festival. Brian Cox and Paul Dano (reunited after the 2001 indie classic "L.I.E.") pull off a tour de force that left me breathless in this character piece from Icelandic writer/director Dagur Kári.The film opens with Lucas (Dano) barely eking out a living in a cardboard box under a rusty highway overpass, with only a scrawny kitten as a companion. Jacques (Cox) runs a worn old bar where he's beginning to take on its characteristics. The two meet and a classic intergenerational arc is set up that carries the film to the end.The film is dominated by a triumphant performance from Cox, one of the film world's masters. Shot primarily in one interior location, the theatrical nature of the script lends itself to playful interaction between the two leads. The chemistry between Cox and Dano began in 2001 with "L.I.E." and there's still magic in that relationship, forged over time as Dano has matured as an actor and into manhood. Interestingly, there are some references to cars and shaving which have carried over from "L.I.E." to "The Good Heart," intentional or not. Conflict is infused by the sudden appearance of April (Isild Le Besco), who forces the two to take sides even as their friendship is beginning to blossom.Shot with mostly hand-held camera by cinematographer Rasmus Videbæk, "The Good Heart's" grainy film stock, washed out colors, and natural lighting without compensation for shadows give the film an honest look. A sweet soundtrack is mostly provided by the player piano that holds a prominent place in the bar. It's a clever and amusing device.A long time in the making, "The Good Heart" spent five years in production with exteriors in New York and interiors in Iceland. Cox's introduction after the screening brought the first standing ovation of the festival.