The Great Texas Dynamite Chase

1976 "They'll steal your heart... and rob your bank!"
5.9| 1h30m| R| en| More Info
Released: 01 July 1976 Released
Producted By: New World Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Candy and Ellie Jo are a pair of sexy bank robbers who blast their way into small-town banks with a carload of dynamite! When they take Slim hostage, it begins a thrill-packed crime spree across the state of Texas.

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Jakemcclake I found Claudia Jennings and Joselyn Jones to be real, human and very sexy as outlaws in this one. Despite their difficulties with people, ( and men in general) they smile, are happy, and get good advice how to rob banks with dynamite. This one is in the mold of Thelma and Louise, but does not contain the male bashing, the female copy-catting, and overall depressing theme that Thelma and Louise did.This one did not say, that men are all evil, (except a super sensitive police chief), and women copy men's evil so we get evil all around. This one say's when people are put in bad situations they find a way to cope. It is more of a tribute to the human spirit than Thelma and Louise.I can not say enough about, the affection I had for the Claudia Jenning character. Back when I saw this, I wished I could meet her. However, I was always into the bad girl, back then.
sonya90028 The Great Texas Dynamite chase, is a classic, 70s drive-in B movie. The beautiful, late Claudia Jennings, stars as prison escapee, Candy Morgan. She blasts her way out of the slammer, using sticks of dynamite. Candy learned her explosives skills through a training program for inmates, while she was incarcerated. Guess the clueless prison administration, never figured that inmates would use their training to break out.Right after escaping, Candy decides to rob a bank. It's the same bank that Ellie Jo, a young attractive woman, works at as a Teller. Ellie Jo's fascist boss, decides to fire her, for repeated tardiness. On the same day that Ellie Jo is fired, Candy bursts into the bank, holding lit sticks of dynamite. Candy threatens to blow-up the bank with the dynamite, unless they hand-over the dough. Ellie Jo, outraged at just being fired, enthusiastically helps Candy fill her bags with the bank's cash.Candy quickly flees in an old 50s Buick, to her father's farm. She meets-up with her family, and gives them the stolen money. Candy's family is deeply impoverished. But now, thanks to Candy's larcenous ways, her father is now able to keep his farm. Reluctantly, Candy quickly leaves her family behind. She knows that she has to, realizing that the law will be hot on her trail.Meanwhile, Ellie Jo feels cast adrift, after losing her Teller job. She feels stifled by living in her small, dull town. Ellie Jo wants out, and so she takes off, hitch-hiking to parts unknown, even to her. As luck would have it, Ellie Jo is given a ride, by none other than Candy. Ellie Jo is overjoyed that it's Candy at the wheel. Candy's brazen robbery at the bank, has Ellie Jo brimming-over with admiration for Candy. Craving adventure, and with nothing better to do with her life, Ellie Jo begs Candy to let her join her, as Candy's bank-robbing partner. Candy quickly agrees.Soon, the two foxy ladies are robbing banks with dynamite, rather than the typical firearms. Ellie Jo talks Candy into the dynamite method, after witnessing how easily Candy did it during the initial bank robbery. Candy and Ellie Jo, make their way across Texas, robbing banks and evading capture. They both become known by the public, as the legendary 'dynamite women', because of their use of dynamite, as their weapons of choice. While robbing a convenience store, Candy and Ellie Jo take a young cowboy hostage. Ellie Jo soon falls for the hunky young stud. He suggests posing as a professional hostage. The women think it's a great idea, to help expedite their bank-robberies. The three get richer and richer, from their thievery. They buy a Rolls Royce, stay in posh hotels, and enjoy a decadent, extravagant lifestyle. But as the law closes-in on the criminal trio, they realize that they need to get serious about hatching a permanent, fool-proof get-a-way plan.In the 70s, Claudia Jennings was the undisputed queen of drive-in B movies. She'd acquired fame, as a former Playboy Playmate of the Year. Claudia wasn't just another gorgeous babe though. She had brains, genuine acting talent, and a graceful athletic ability. Most of all, she had a blazing-hot, on-screen charisma. Claudia's spell-binding charismatic quality, was the engine that kept this film running fast-and-furious. As Candy Morgan, Claudia was a real scene-stealer. Jocelyn Jones as Ellie Jo, did a good job as Candy's partner-in-crime. But Jocelyn's performance was over-shadowed, by Claudia Jennings's commanding presence as Candy.When this film was made, women were just beginning to appear in films as strong, competent characters. With it's two strong female leading characters, this movie was the template for future films in the same vein, such as Thelma and Louise. I was a only a budding teen feminist, when The Great Dynamite Chase was made. This, and other films like it, were what my contemporaries and I looked forward to then . These films, were the essential drive-in B movie experience, in the 70s. Films starring Claudia Jennings, always fed our hunger to see female characters, who take control of their lives. I highly recommend The Great Texas Dynamite Chase, for fans of the late Claudia Jennings. It's a tribute to her talent, and honors her as the queen of 70s B movies.
Woodyanders Late, great 70's drive-in movie queen Claudia Jennings is at her brassy, sassy and smoking sexy best as Candy Morgan, a kittenishly irreverent prison escapee who teams up with saucy former bank teller Ellie-Jo Turner (winningly played by the very pretty and appealing Jocelyn Jones of "Tourist Trap" fame) and goes on an eventful crime spree, robbing banks and breaking hunky guys' hearts with equally joyful abandon. Directed with considerable verve by Michael Pressman, buoyed by a zippy, banjo-happy score by Craig ("Nightmares," "Warning Sign") Safan, further sparked by a cheerfully lowbrow sensibility and featuring a sidesplitting cameo by the ever-haughty Stefan ("Blue Sunshine," "Blood Beach") Gierasch as a stuffy hotel clerk who tries to refuse Claudia and Jocelyn a room, this extremely brash, funny and spirited hoot rates as a whole lot of top-rate infectiously trashy fun. The copious gratuitous nudity by the tall, slender, breathtakingly beautiful blonde Claudia and the more diminutive, but still comely and enticing Jocelyn constitutes as another substantial plus. Overall, this baby is an absolute must-see for Claudia Jennings fans in particular and aficionados of blithely amoral cheapo 70's redneck crime epics in general, which hopefully doesn't rule out too many folks.
thecat72 Whatever legend this film has that is positive definitely is not deserved. Thing is, this movie just blows. It fails to even be an entertaining bad movie. It's just a boring, horribly acted bad flick.Sure, it's got Claudia Jennings, and she's probably the only reason this film hasn't been completely forgotten about. But if you haven't seen this film in a while, you may have forgotten that even she doesn't look too hot in it - even when she's wearing her Daisy Dukes, she just looks like basic unattractive white trash from the backwoods, not sexy at all. Same with her partner. The film has no sex appeal.There's no big 'chase' either. You never see the effort to track down the girls (and their male friend who joins up). There's not even a decent car chase - the one chase in the film doesn't stand up at all to other 70's schlock film chases. Even "Bobby Jo and The Outlaw" had a much better car chase (and it was a far more entertaining film).Poor acting, poor action, almost no story, virtual complete boredom here. The only reason I can suggest for someone to seek this film out, is if they have a Claudia fetish, and don't mind looking at her even though she dosn't look too good here.