Richard Brandt For sure, the camera pays as loving attention to the impressive slow-motion explosions as it does to Claudia Jennings' nude form. More so, in fact, and more's the pity. The explosives credit is given to Roger George, who took advantage of every possible excuse to send fireballs roaring into the sky, so if that was you, Roger, we salute you! Otherwise, well, you know you're in trouble when the movie opens with David Carradine riding on horseback in a fur cape and a loincloth, a scene which left me asking myself, "If I had a hand blaster that would vaporize people, would I really bother carrying around a heavy-ass sword?" The answer is, probably, because Range Guides think swords are awesome cool just like everybody else.For most of its brief running time the movie is an unexceptional assemblage of awkward action scenes...for example, when the good guys battle the bad guys on motorcycles, it's rarely clear which stunt guy getting blasted is supposed to represent which actor...and cheesy dialog, although the late great Richard Lynch must have thought it ironic to mutter the lines "A man is a candle...He must set himself afire to create a life." That the movie credits two directors might explain why the final duel, which is set up with a sweeping 360-degree tracking shot, has a sense of style and grandeur which the rest of the movie is sorely lacking, clearly inspired by someone watching a lot of samurai and Wuxia films. Suddenly we realize that wow, this really IS what we were waiting for the whole time, just as David Carradine was waiting for a chance to finally show his stuff.

edwoodjr2003 I saw this movie as a kid at the theater "in the back corner of the mall" that showed those "hardcore R" movies in the late 70's - nervous buying the tix but the theater guy always let us in. Without a doubt, watchable. I'm just getting my kids to appreciate "cinema" and this one is one the list. Most of it is where we saw it versus what we saw but it's now viewable in your home at your calling. Technology. I personally dislike CGI and the proliferation of computers as "film" so these are the type of movies that now define an era gone by. Sad but true. There is an appreciation to be had with this movie that's like watching Shakespeare in the Park with motocross and entertaining foley artist work (albeit laughable).

DJJOEINC Death Sport a non-sequel sequel to the Corman produced Death Race 2000-this one lacks the goofy humour of Death Race.Basically David Carradine and Claudia Jennings are "guides"(sort of like hunter/fighter/gypsy leaders) and they are corralled by the deranged leader of a local city-state to participate in a gladiator type game with motorcycles that are called death machines-The movie has tons of explosions- a typical plot and a sword fight that seems to stylistically ape Star Wars.One of the more bizarre sequences in the flick is when the insane leader of the city state has nude women dance for him among hanging poles that have shocksticks in them.Very dated and odd flick- nothing special or worth seeking out- it was worth the $4.99 I paid for it on DVD.

biggeorge1977 A followup flick to Deathrace 2000,Deathsport is a wild thrilling ride.Very much underrated,and a cult classic for sure.You like deadly laser blasting dirt bikes?Futuristic noble knights of the apocalypse?Crystal sword fights?And a host of bad-guys dying ever few minutes?And an insane dictator with sadistic sexual tastes?If you find you like this movie or Deathrace 2000,check out Circle of Iron,another lost Carradine seventies classic that was scripted by Bruce Lee and stars Mr Carradine in four different roles.This ain't no academy award winning stuff,so don't expect a lot from a low budget sci fi opus.Just enjoy it for what it is,and tell all your friends.