Skragg It wasn't till quite some time after seeing this movie that I read any of Wellman's stories, but this movie is pretty faithful to them, at least the ones I know (though I don't know if any of the Silver John stories have "Mr. Marduk" or not). I don't know if I know Hedges Capers or the leading actress from anything else, but they were fine in it, and along with them, it's full of great character actors (though I don't think that's the right term for Susan Strasberg) - Denver Pyle, R. G. Armstrong, Severn Darden, Harris Yulin (who, apart from Darden, might have had the best part, and who really seemed to enjoy playing it). Even the political stuff, like the very end (which I won't give away) doesn't seem too forced. That ending could apply to ANY time (certainly including right now), and it would be a shame for people to think of it ENTIRELY as some NIXON JOKE (though I suppose it probably IS thought of as only that). In spite of the listing, I'm certain this movie is from 1972-73.

bradanddiana I remember seeing "The Legend of Hillbilly John", in my 8th grade year. I went, primarily, to see the "Ugly-Bird", a stop-motion animated creature that promised that the film could be a great ride. I believe that the animated special effects were done by Gene Warren, who would later helm the effects in the fondly remembered Saturday morning opus; "Land of the Lost". Silver John is able to destroy the creature by hitting it with his guitar, one strung with pure silver strings, the only weapon to defeat the Devil( according to this film ). It strongly reminds me of "Equinox" in places, a similar, occult/adventure flick, but "John" is much more a spiritual journey, more akin to "The Silent Flute'(aka; Circle of Iron).

austex23 Hampered by a tiny budget and a lack of subtlety, Hillbilly John does an earnest job of bringing Manly Wade Wellman's silver-stringed guitar hero's adventures to the screen. Nice use of music by Hoyt Axton and some effective moments in two of the stories directly adapted from Wellman's fantasies. The last third of the film departs from its source material and grows tiresome. Definitely good enough to justify someone releasing it on DVD.

s_a_jordan A dark magical fantasy based on several of Manly Wade Wellman's stories about a guitar player who wanders across the rural American Southeast, confronting evil magicians, monsters, and perhaps the Devil himself.The special effects are of only medium quality, even for 1973, and I can only suggest looking past them to the down-home, country-flavored fairy tale being told, woven together from fireside stories and folk traditions Wellman heard and adapted.It's always hard to put on film what a poetic writer has described - the charm and mystery of Wellman's beloved Carolinan countryside, the old-fashioned courtesies and customs of the mountain people - and this movie does not quite succeed, perhaps because it did not really try. The magical creatures are put in the foreground, and the setting (Wellman's true love) is made a generic Southern backdrop. John in the book is a devout Christian (more, he might could be a friend of Christ); John in the movie is darkly hinted to be a son of the Devil.My own enjoyment of this movie was very mixed: I felt frustrated by how often and how far the movie fell short of the books, and tantalized more by what the movie *could* have been than by what it *was*, but I'm glad I didn't miss seeing it.If you also enjoyed the movie and want to see more of the character, read Wellman's "Silver John" books: "Who Fears the Devil?" (or "John the Balladeer"), "The Old Gods Waken", "After Dark", "The Lost and the Lurking", "The Hanging Stones", and "The Voice of the Mountain". There are also Wellman fan sites on the Web.