MartinHafer This 1938 film was released in the US by Warner Brothers and I assume it was made by their British division originally (due to British laws, several of the big US studios had British divisions making films as well). Regardless, it has nothing much to do with the more famous 1940 film by Warner.The film finds Shorty Matthews (Emlyn Williams) getting out of prison at the same time an inmate is being executed. This is significant because Short is rather ambivalent towards the man's plight--and soon he'll be in a similar position. This occurs when Shorty goes to visit an old girlfriend and he finds her dead. Instead of handling it like a guy with a brain, he runs--and ends up making everyone think he's the killer. Instead of going to the police, this guy spends the rest of the movie avoiding the police dragnet and trying to figure out who is the real killer. The film has a few minor flaws. I guess I could accept that Shorty was stupid but perhaps not too unusual for avoiding the police. However, the ending, while really cool to watch, really didn't make a lot of sense. But, the film has a lot of tension and some nice performances. Overall, the good far outweighs the bad and the film is worth your time.

tlloydesq As the Sydney nights draw in and winter approaches there are times I just want a good, solid movie to keep me entertained for 90 minutes. A story which ticks over, a touch of drama, actors who know their roles and the odd laugh is appreciated but not mandatory.There aren't many laughs in this movie but it ticks all the other boxes. Shorty is just out of prison and barely finishes his first cup of tea before he is up for murder. If he can remain at large maybe the real murderer will surface. Unfortunately his record marks him down as guilty until proved innocent. The only people who believe him are dancing girl Molly and the foppish Mr. Hoover who steals the last 20 minutes.You can glimpse into an older period where life was more simple, movies relied on plot over action and murderers hung from the gallows.Emlyn Williams as Shorty plays a good bad guy. The age of this movie makes him look as if he has been on the run for a few days. The limited use of Ernest Thesiger as Mr Hoover is well timed as the character would lose its impact if he was introduced earlier.Well worth a watch.

krishkmenon I saw this movie for the first time a few days ago and I was glued to my seat for the entire period by its pace and photography which though low-key is extremely moody and effective. The pace is electric but due to low budgeting as all British movies of the period dampens the viewing a little. What the film lacks in production value it makes up amply in its narrativeEmlyn Williams captures all the emotions of a Wrong Man syndrome a la Hitchcock.The psychopathic Professor chills with his menacing looks. The only flaw is that the film starts with something to talk about the lorry drivers (which is incidentally the title) but strays away.Quite surely WB had this pictorial gem cleared from their lists to provide better promotional value to their film of the same name made in the US with George Raft.

BaronBl00d This is a somewhat "lost" film from England in the late thirties. It definitely does have Hitchcokian overtones as a young con just released from prison goes to visit a girl he knew, only to find her dead, and himself accused of the crime. The bulk of the film follows this young man as he tries to hide from the police by traveling North on a lorry(truck). From there he meets a female of his acquaintance, convinces her of his innocence, and they both embark on a quest to find the real killer. The film has a nice, tight directorial style that creates lots of suspenseful moments. The script is also pretty good. The biggest key to the film's success is the acting. Emlyn Williams does a good job in the lead, but acting honors easily go to Ernest Thesiger playing a highbrow, effeminate, erudite former teacher and student of psychology with a deadly secret. Thesiger's character acting is a joy to behold as he talks about the power of killing in one moment and then in another talks to pussycats in a baby voice. He is so wonderful with these kinds of quirky characterizations(a must-see in The Bride of Frankenstein). A good, old-fashioned suspense story.