Three Outlaw Samurai

1964 "One...two...three Samurai filling the giant screen with flashing swordplay"
Three Outlaw Samurai
7.6| 1h33m| en| More Info
Released: 13 May 1964 Released
Producted By: Shochiku
Country: Japan
Budget: 0
Revenue: 0
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Synopsis

Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.

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Reviews

KalKenobi83 Watched Three Outlaw Samurai Starring Tetsuro Tamba(Harakiri) as Sakon Shiba, Isamu Nagato(Hissatsu) as Kyojuro Sakura, Mikijiro Hira(Gyangu Domei) as Einosuke Kikyo , Yoshiko Kayama (18 Who Cause A Storm) as Oyasu and Kyoko Aoi(Akistu Springs) as Omitsu , Kamatari Fujiwara(The Hidden Fortress) as Jinbe and Hisashi Igawa(Shiro To Kuro) as The Magistrate. The Film was great Characterization and each had a clear motive was fantastic also The Swordplay was excellently choreographed and The Camera work was phenomenal The story was great as well Glad Rian Johnson is Using this as A Template For The Last Jedi this rivals any Akira Kurosawa film also Fantastic Score by Toshiaki Sakai(Ninja Hunt),Cinematography By Tadashi Sakai(Blazing Sword) and Direction from Hideo Gosha Rivals Any Akira Kurosawa Film 9/10
BigElefant Three Outlaw Samurai is an incredibly accomplished debut feature from acclaimed director, Hideo Gosha. Dealing with familiar samurai themes of honour and loyalty the film distinguishes itself from the competition due to its unwavering cynicism.The film follow three different samurai warriors. Each who are different type of the loyal swordsman. But you could ask. Loyalty to whom? Loyalty to a system you in your heart believe is wrong? Is it your duty to fight for a cause that not many people are willing to risk their lives for? And who's lives are worth sacrificing for the sake of the greater cause? There's also a great deal of mistrust for authorities in the film. I suspect that is one of Hideo Gosha's trade marks, together with not being that interested in portraying the samurai as just a honorable code follower. This being more a film about class and empathy than anything else, and it's all quite interesting if you consider the small scale socialistic revolution that's going on here.The film is doesn't shy away from showing the violence. In modern action films they cut fast through the action. Here, you can follow the action without having too many unnecessary cuts. It feels like the characters is actually fighting, not that it is staged which makes it more realistic.The cinematography was excellent. I was also impressed by how well the film was shot. That the contrasts between black and white resemble the appearance of a clean chessboard. Everything is so marvelously framed, and the camera so exquisitely balanced. With intrepid camera stunts that range from panoramic landscapes to long horizontal tracking shots, that the action, tension, betrayal, terror and even the heartwarming moments are brought to their full audience-involvement capacity. It maximizes the potential for such a simple plot. Not a single second is wasted, as all events portrayed are of understandable importance to the evolution of the story, with a timing that never bores or irritates.It was also apparent that Three Outlaw Samurai has been a major influence on all of the samurai films that we see today. I also read that this is an inspiration for Star Wars Episode VIII: The Last Jedi. Hope the fight scenes in The Last Jedi are similar to the final fight scene in this movie.In the end this is a movie where not a single person is to be trusted. It is a bloody, deceitful, beautiful film. I highly recommended!
MartinHafer In some ways, this film might be a bit anachronistic. I really am not sure it such an event might have happened--particularly with the code of Bushido putting such a premium to authority. But you sure would HOPE that it might have happened! The film begins with a small group of peasants holding the magistrate's daughter hostage. After all, his taxes are literally starving the peasants and he would seem to care nothing about their plight. So, in their minds, doing something as insanely foolish as the kidnapping seemed like only hope. It just happens that three ronin (unemployed samurai) arrive in town about that time. One agrees to work for the evil magistrate, one assists the kidnappers and one stands back...at least at the onset. Eventually, though, because of repeated lies and infamy by the magistrate, the three samurai eventually are drawn together as there is something even higher and more important that obedience--doing what is right.There is a lot more to the story than this and it comes off like a western that has been relocated to feudal Japan. However, it is so much better than just that--with exceptional acting, action and plot. In many ways, it plays like a typical Zatoichi film merged with the Kurasawa film "The Seven Samurai". Exciting, entertaining and tough--this is one of the better sword and samurai films I've seen--and I have seen hundreds (a lot for an American).Simple, exciting and very effective.
Chung Mo Excellent black and white cinematography, solid acting, well done action and a reasonably good story make this a satisfying film. The story of wandering samurai coming to the aid of impoverished farmers is not new and the characters are stock but this isn't a real problem if you are looking for something to sit back and enjoy easily. The direction is very assured and it's remarkable that this is a first directorial effort. The actors are appealing and the film never gets bogged down in long exposition or beauty shots. The comparison to a spaghetti western is apt.The film seems like it was intended to start a series based on the three characters. Too bad that didn't happen.