First Monday

2002
First Monday

Seasons & Episodes

  • 1

EP1 Pilot Jan 15, 2002

New Justice Joseph Novelli reports for the first Monday in October and handles his first case: whether to grant a stay of execution to an inmate who survived a lightning strike.

EP2 Age of Consent Jan 18, 2002

Justice Novelli is uncertain of his position when the court must decide if a North Dakota court decision to allow a 16-year-old girl to get an abortion should stand.

EP3 The Price of Liberty Jan 25, 2002

The Court must rule on sixth-amendment rights when a murder witness requests to testify in a mask after three previous witnesses are killed.

EP4 Crime and Punishment Feb 01, 2002

Justice Novelli once again finds he's the swing vote when the Court is divided on whether to uphold the three-strikes law carrying a 25-years-to-life sentence for third-strike misdemeanors.

EP5 Family Affairs Feb 08, 2002

A senator with a grudge against Justice Novelli gives a reporter photos of Novelli's uncle accepting an envelope from a Chicago mobster, hoping the photo will discredit the Justice.

EP6 Dangerous Words Mar 01, 2002

As the court considers whether to uphold a decision that protects a Web site calling for the murder of abortion doctors, Novelli is threatened on the Internet.

EP7 Right to Die Mar 08, 2002

Justice Hoskins takes a passionate interest in the Court's case of a woman who wants to terminate life support for her husband, who has been in a coma for nine years.

EP8 Court Date Mar 29, 2002

A high-school basketball star appeals to the Supreme Court when the NBA refuses to let him play professionally until he finishes school.

EP9 Secrets and Lies Apr 05, 2002

The Court must decide whether to uphold Megan's Law when they hear the case of a convicted sex offender who was harassed and threatened after registering.

EP10 Unprotected Speech Apr 12, 2002

The case of a teen accused of violating the Child Pornography Protection Act by morphing his friends' faces with bodies of porn actors on an Internet site.

EP11 Strip Search Apr 19, 2002

The Court must determine whether a man's Constitutional rights were violated when the police took his blood sample out of a hospital dumpster to obtain DNA.

EP12 Showdown Apr 22, 2002

As the Court debates whether a town's ban on guns is unconstitutional, a senator offers Justice Snow information on a colleague that could affect the final decision. Also: Justice Hoskins hosts his annual party, where Ellie catches Miguel's eye; and Chief Justice Brankin and his wife celebrate 40 years of marriage.

EP13 Family Secrets May 03, 2002

The Court must decide whether to allow a book culled from the tapes of a deceased CIA officer to be published or allow censorship in order to protect national security.
7.4| 0h30m| TV-14| en| More Info
Released: 15 January 2002 Ended
Producted By: Paramount Television Studios
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A newcomer to the Supreme Court finds himself a pivotal force on an often deadlocked bench, frequently at odds over hot-button cases in this earnest but brief legal drama.

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Reviews

doreen90755-2 I don't know why it is, but it seem like every time a show with a little intelligence or educational value is put into prime time, it seems to fail. Is the American public really that uninterested ? Or is it that the networks are just so anxious to "make a buck" that they're unwilling to give it time to find an audience and receive "word of mouth" ? I hope one of the cable channels , like USA Network, will show this series. It was excellent, in that it showed the inner workings of the Supreme Court. James Garner, Joe Mantegna, and Charles Durning were great in their roles, and it showed how a decision could affect a Justice's family. It also showed how crucial the research of the clerks is, and how it can make or break a decision. I was so disappointed when it was cancelled after only 13 episodes. Due to the imminent upheaval in the Supreme Court, it should, at the very least, be released on DVD. It was an Emmy -nominated series !
Scott Miller "First Monday" gave us something we don't see enough of on fictional television: honest debates on serious subjects. Sure the show was a rip-off of "West Wing" and just an excuse to make political statements, but at least the show recognized the legitimacy of the arguments on both sides of the issues instead of making one side the hero and one side the villain. Unfortunately, that seemed to be the whole point of the show. Court shows have to be about more than issues if they're going to be remotely interesting. Look at "Judging Amy". The political statements are only plot points. The court cases take up only about a quarter of the episode time. The whole purpose of the show is to see how legal issues affect the characters' personal lives and vice versa. But that's far more than anyone can expect from a series by Bellisario. He thinks in terms of plot, not characters. That fine for a series like "Quantum Leap" but not something intellectually deep like the Supreme Court.
JYJ When i first heard about the show i was excited because a show that includes James Garner, Charles Durning and Joe Mantegna must be great. After watching severall shows i have now finally given up, this show clearly shows that good cast alone does not make a good show. Basically the show is all about Joe Mantegna who plays Justice Novelli is new in the supreme court and he always seems to have the decisive vote, IN EVERY SINGLE SHOW. His assistants who research his cases all compete on having their influence on the vote and it gets very irritating after a while. The biggest problem with the show is obviously the writing, is poor by any standards. This show has major problems if it is to survive beyond this season.
carsch While it is true that this show is an obvious rip off of "The West Wing," it has the potential to be very good. "First Monday" has strong cast members and deals with issues that are relevant today. If given time, this show has the potential to rival "The West Wing." Even now, it is certainly better than anything else CBS could put in its timeslot.