Watch The Forsyte Saga(1967) Online Free, The Forsyte Saga All Seasons

Seasons & Episodes

EP1 A Family Festival Jan 07, 1967

The elder generation of Forsytes gather at Uncle Timothy's to exchange gossip about two of the younger members of the family: James's daughter Winifred is engaged to the charming but financially questionable Montague Dartie, while Jolyon's married son, Jo, commits adultery with the Austrian governess, Helene. Old Jo overhears the gossip at Winifred's wedding, while Helene has bittersweet news for Young Jo: they are going to have a child.

EP2 A Family Scandal Jan 14, 1967

Young Jo’s decision to divorce his wife to live with Helene and their child shocks the family, and causes Old Jo to adjust his will in favor of his granddaughter June. Elsewhere, stuffy lawyer Soames Forsyte is enchanted with young but penniless Irene Herrin, whose ethereal beauty will be the catalyst for much of the series.

EP3 The Pursuit of Happiness Jan 21, 1967

Two sons are born. Winifred and her profligate husband Monty must appeal to her father James to ease Monty’s debts, as Winifred gives birth to her son, Val. The accidental death of Young Jo’s first wife allows Jo and Helene to legally marry. Helene gives birth to the third generation of Jolyon Forsytes, nicknamed Jolly, while Old Jo assumes parental authority over granddaughter June. Soames methodically and relentlessly pursues an unwilling Irene, who finally accepts his marriage proposal, but with one condition: that he release her from the marriage if they are not happy. Their wedding night sets the stage for despair ahead.

EP4 Dinner at Swithin's Jan 28, 1967

Several years have passed, and the family is abuzz over the engagement of young June Forsyte to bohemian architect Phillip Bosinney. June’s best friend and confidante, Irene, endures an icy marriage to Soames, but sexual sparks fly when she and Bosinney meet. In the poorer part of town, Helene’s extreme guilt over keeping Jo from his daughter June is making her ill, while the estranged Old and Young Jo take tentative steps toward reconciliation.

EP5 A Man of Property Feb 04, 1967

Winifred’s spendthrift husband Monty continues to rack up debts, while Soames has bigger marital problems. Attempting to improve his disastrous marriage, Soames engages Bosinney to build a mansion for Irene at Robin Hill, a country estate far removed from London. June suspects what Soames does not, that a powerful attraction exists between Irene and Bosinney. The attraction ignites a sexual liaison. Meanwhile, Old Jo surprises his son and Helene at their modest home, and attempts to mend the rift in the family. Young Jo astounds his relatives by attending the funeral of the eldest Forsyte, Aunt Ann.

EP6 Decisions Feb 11, 1967

As the affair between Irene and Bosinney becomes more and more public, Soames threatens legal action against the architect regarding cost overruns at Robin Hill. June hides her confusion with stubborn allegiance to Bosinney, while, enraged and frustrated, Soames violently asserts his marital rights.

EP7 Into the Dark Feb 18, 1967

A thick fog envelops London, masking tragedy. Irene waits to run away with Bosinney, who is driven to distraction when hearing the news of Irene's rape. The next day, the Forsyte men gather en masse to support Soames, as the case of Forsyte vs. Bosinney is heard in court. The defendant is nowhere to be found, and he loses the case. June begs Old Jo to save Bosinney by purchasing the house at Robin Hill, now finished but empty. Brothers Old Jo and James, and their sons Young Jo and Soames, gather at the morgue to identify a man who was run down by a carriage in the fog; it is Bosinney.

EP8 Indian Summer of a Forsyte Feb 25, 1967

Distraught, destitute, and alone, Irene returns to Soames for one last night, then deserts him for good. Four years later, Jolyon and his family have settled into the house at Robin Hill. While the others are in Spain, Old Jo comes upon a melancholy Irene, sitting in the copse and remembering her love for Bosinney. A gentle friendship blooms between the old man and the fallen woman. Jolyon dies peacefully, but not before leaving a surprise in his will: a bequest for Irene.

EP9 In Chancery Mar 04, 1967

Eight more years pass, during which Helene dies and June, now financially independent, strikes out on her own. Monty continues his profligate ways, stealing Winifred’s pearls and sailing for Buenos Aires with a Brazilian dancer. On the advice of her brother Soames, Winifred begins divorce proceedings, regretting that the scandal may affect her son Val, now at Oxford. Young Jo’s daughter, Holly, meets Val, and an attraction is sparked. Meanwhile, Soames meets Annette, a young French woman who would welcome a wealthy husband. Determined to remarry and have a son, Soames seeks out Irene, looking for grounds for divorce.

EP10 The Challenge Mar 11, 1967

The South African Boer War creates anxiety for James, while Winifred and Soames attempt to extricate themselves from their marriages. Soames hires a private investigator to follow Irene, in hopes of gathering evidence for a divorce. Irene flees to Paris, where Jo joins her and begins to fall in love. Back home, Val and Holly continue their romance, despite Holly’s brother Jolly, who despises Val and challenges him to join him to fight in the Boer War. Soon Jo is summoned back to Robin Hill: Jolly is headed to South Africa.

EP11 In the Web Mar 18, 1967

Investigators shadowing Irene in Paris detect her growing affection for Jo, and gather enough evidence to proceed with Soames’s divorce. Val and Holly secretly become engaged, while Monty returns from Argentina, burnt out and broken. Against family advice, Winifred takes her wayward husband back. The Boer War galvanizes Uncle Timothy, and Val, Jolly, Holly, and June all head to South Africa to participate.

EP12 Birth of a Forsyte Feb 25, 1967

Queen Victoria’s isn’t the only death in this episode which also includes births, marriages, and divorce. Young Jolly dies in South Africa, while his sister Holly and Val Dartie marry and decide to remain there. Soames’s divorce is granted, uncontested, and he hurries to marry Annette and sire a son. His cousin Jo beats him to the punch when he marries Irene, who gives birth to their own son, Jon. On James’s deathbed, Soames tells a bold lie to allow his father to die in peace. Annette’s pregnancy is a difficult one; she can have no more children. Soames is introduced to the newest Forsyte, his one and only child, Fleur.

EP13 Encounter Apr 01, 1967

Twenty years have passed (the Great War slips by here) as the third generation of Forsytes takes center stage. Jon has grown into an earnest and naive young man who decides to train as a farmer at Holly and Val’s horse farm in Surrey. Fleur has become an impetuous, beautiful, thoroughly spoiled young woman. A chance meeting at June’s art gallery sets the stage for the relationship which will affect the remainder of the series. Fleur manipulates a visit to Holly and Val’s, where she and Jon become infatuated. Aware that a feud exists between their families, but ignorant of the specifics, they promise to hold onto their love forever.

EP14 Conflict Apr 08, 1967

The elder Forsytes continue to hide the details of the family feud from Jon and Fleur. Michael Mont, the perky son of a baronet, courts Fleur and gains the respect of Soames, while Jo hides his ill health from Irene. Belgian profligate Profond discovers the truth behind the feud, courtesy of Forsyte cousin George. He begins an affair with Annette, and drops a bombshell on Fleur: her father was once married to Jon’s mother.

EP15 To Let Apr 15, 1967

The annual cricket match between Eton and Harrow facilitates awkward encounters. Fleur scrambles to get Jon to the altar before he learns the truth behind the family feud. Before he dies, Jo finally tells Jon the entire story of his mother’s first marriage, her adultery, and her rape. Jon chooses Irene over Fleur, and they plan to move abroad, as Fleur, rejected and hurt, finds comfort from Michael Mont.

EP16 A Family Wedding Apr 22, 1967

Jon and Irene relocate to Canada. On the rebound, Fleur marries Michael Mont, who assumes narration of the series. Two years and more pass, during which a new cast of characters arrives on the scene. Michael’s father Sir Lawrence (“Bart”) invites Soames to join the board of directors of an insurance company, where Soames is suspicious of the managing director, Elderson. Poor guttersnipe Bicket is sacked from his position at Michael’s publishing house, and is forced to sell balloons on the street to support his ailing wife, Victorine. Fleur flirts dangerously with Michael’s best friend, moody poet Wilfred Desert.

EP17 The White Monkey Apr 29, 1967

Wilfred confesses his love of Fleur to Michael, as Soames lobbies for a grandchild. The board of directors is slow to act, while Elderson’s subordinate Butterfield confirms Soames’s suspicions. Without her husband’s knowledge, Victorine Bicket agrees to pose nude for artist Aubrey Greene.

EP18 Afternoon of a Dryad Mar 06, 1967

As Michael is tortured by the thought that Fleur may be interested in Wilfred, he encounters June, who lets slip some family history: Fleur was on the rebound from her first great love when she married Michael. All negative thoughts are buried, however, when at long last, Fleur becomes pregnant. Elderson cans Butterfield for confiding in Soames, who feels guilty enough to secure a new job for Butterfield at Michael’s firm. Meanwhile, Victorine’s modeling has brought in enough money for the Bickets to immigrate to Australia, but not before Tony sees the nude portrait of his wife hanging in a gallery.

EP19 No Retreat May 13, 1967

Both Michael and Tony address issues of trust in their marriages. The Bickets leave the squalor of their London slum in favor of a new life in Australia. Elderson admits his larceny, then flees the country, leaving Soames and Bart facing charges at a contentious stock holders’ meeting. Holly makes a tentative move of friendship toward Fleur, who gives birth to a son, Kit.

EP20 A Silent Wooing May 20, 1967

The scene shifts briefly to the Carolinas, where Jon and Irene are guests of young Ann Wilmot and her brother Francis. A gentle romance blooms, and Jon marries Ann. Back in London, Michael is now a member of Parliament and is anxious to advance a new social program called Fogartism. Fleur busies herself throwing fashionable parties and entertaining the visiting Francis Wilmot. At one such affair, society flapper Marjorie Ferrar’s catty remarks about her hostess are overheard by Soames, who causes a scene by ejecting her from the house. The incident snowballs into a libel threat against Fleur.

EP21 Action for Libel May 27, 1967

Marjorie Ferrar’s threats of libel action against Fleur are meant to extract money and a public apology, but Soames contrives to turn the tables and prove Marjorie guilty of immorality. American Francis Wilmot is torn between loyalty to Fleur and infatuation with Marjorie, who strings him along while secretly engaged to Sir Alexander McGowan, a hotheaded member of Parliament. Sir Alex heckles Michael’s maiden speech to the House introducing Fogartism, and a bathroom brawl follows. While Francis suffers with pneumonia, Fleur and Marjorie refuse to settle their differences.

EP22 The Silver Spoon Jun 03, 1967

Michael and Fleur drift further apart as last ditch efforts to settle the libel case fail, and Ferrar vs. Mont is heard in court. The episode is dominated by the bruising cross-examination of Marjorie by Fleur’s attorney, who reveals the plaintiff’s true views on morality, views secretly shared by the Monts. A settlement is reached, but at great cost: Fleur and Michael are ostracized, while Marjorie becomes the victimized belle of the ball.

EP23 Strike Jun 10, 1967

Social fallout from the Ferrar case drives Fleur and Soames on a trip around the world. Michael joins them in Washington, DC, at the very moment when Irene, Jon, and Ann arrive. Soames narrowly averts a close encounter. Back in England, the General Strike of 1926 creates challenges and opportunities. Stainford, a down-and-out school chum of Val's, visits Winifred and pinches an antique snuffbox. Fleur runs a canteen for workers, as Jon and his family return to England for good. Michael seeks specifics about the family feud from June, while Fleur plans a chance meeting with Jon.

EP24 Afternoon at Ascot Jun 17, 1967

June lobbies for Soames to commission a portrait of Fleur. Michael buries himself in social work, but cannot mask his anxiety regarding his marriage. Likewise, Ann fears she is no match for Jon’s first true love, Fleur. Stainford appears at Val’s, asking for a hand-out, and is seen lurking around Val’s prized racehorse. Fleur subtly manipulates circumstances to continually run into Jon, who has trouble resisting her coy advances.

EP25 Portrait of Fleur Jun 24, 1967

This moody episode illuminates Fleur’s restlessness, and Soames’s feelings of mortality. Looking toward the future, Soames installs young Butterfield in his law office to oversee Forsyte affairs, and alerts Fleur where he wishes to be buried. June’s current protege finishes a portrait of Ann, and begins separate pictures of Jon and Fleur. Holly asks Irene to settle with them, while Val deals with Stainford’s newest con, involving forgery.

EP26 Swan Song Jul 01, 1967

The final episode of the series begins with an adulterous consummation, and ends in death. Jon succumbs to Fleur's seduction and immediately regrets his infidelity to his wife, Ann. It's apparent that Fleur will never give up, so Irene intercepts her at June's studio. Giving her a look at what the future will hold, she then drops a bombshell: Ann is pregnant with Jon's child. Soames advises a distraught Michael to stay the course, while Fleur must face the loss of Jon forever. A fire in Soames's picture gallery causes him a fatal injury, and as Fleur and Michael gingerly reconcile, Soames takes his final breath.

8.5| 0h30m| NR| en| More Info

Released: 07 January 1967 Ended

Producted By: BBC Television Centre

Country: United Kingdom

Budget: 0

Revenue: 0

Official Website: http://www.bbc.co.uk/programmes/p00t62yc

Synopsis

The Forsyte Saga is a 1967 BBC television adaptation of John Galsworthy's series of The Forsyte Saga novels, and its sequel trilogy A Modern Comedy. The series follows the fortunes of the upper middle class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was adapted for television and produced by Donald Wilson and was originally shown in twenty-six episodes on Saturday evenings between 7 January and 1 July 1967 on BBC2, at a time when only a small proportion of the population had television sets able to receive this channel. It was therefore the repeat on Sunday evenings on BBC1 starting on 8 September 1968 that secured the programme's success with 18 million tuning in for the final episode in 1969. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union.

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Cast

Eric Porter , Susan Hampshire , Nyree Dawn Porter

Director

Producted By

BBC Television Centre

Trailers & Images

Top Credited Cast
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Crew

Eric Porter as Soames Forsyte

Susan Hampshire as Fleur Mont née Forsyte

Nyree Dawn Porter as Irene Forsyte née Heron

Reviews

Marcin Kukuczka Everything changes and every day in every way, one may be getting better. This maxim of auto-suggestion said by Fleur (Susan Hampshire) in 'No Retreat' (19) may also apply to the test of time that only few are lucky to stand, including the products of a new medium that television was in the 1960s. One example, however, that barely changes in impact is this formidable, classic, cult TV series.Ms Hampshire in the extended 1991 interview with Richard Amphlett (the Alexandra Theatre, Birmingham) referred to THE FORSYTE SAGA as an unchanging phenomenon, a 'definite costume drama.' Labeled as 'crescendo of publicity and popularity' and seen as 'national obsession' (Cliff Michelmore) at the time of its airing on BBC, the 26 episode - series may still be regarded as soap opera but...its truly formidable unit which, in passing time, brings about even greater awe and respect. Based on Galsworthy's three trilogies (THE FORSYTE SAGA, A MODERN COMEDY, END OF THE CHAPTER), it not only fanned enthusiasm towards the literary work (raising sales' number to a million of copies worldwide) but also became one of the most cherished soap operas. Even in the Soviet Union and Poland, life stopped with its episodes being showed.Watching them almost half a century later is still a supreme entertainment. Exceptional camera-work by Tony Leggo, memorable designs by Spencer Chapman, ear-catchy music by Eric Coates and a variety of costumes by Joan Elcott predominate as pleasing to the eye and ear. Although the series is black and white and considerably stagy, everything is atmospheric and contributes to the feeling of nostalgia for the times depicted herein. Yet, what truly emerges as unforgettable are artistic personalities, warm hearts, recognizable brains, legal minds... so to say, completely memorable characters. From 'A Family Festival' (1) to 'Swan Song' (26), one can be stunned by this great variety of people that prompt viewers to feel what they feel, identify with their worlds. The eldest Aunt Ann with her elegance among a group of other 'Victorian ladies' meeting at tea; Helene Hilmer singing her love song despite conventions; Winifred described by the actress Margaret Tyzack as 'forward looking and liberal;" Phil Bossiney, the architect of 'simplicity and regularity;' Marjorie, an exception from the Forsyte chronicle, a 'nuisance' who pushes the limits of moral acceptability, and many many others inside or outside the family cannot leave viewers indifferent. The director(s) prove to have 'put actors on screen in best advantage' (David Giles). Developing the theme in a more in depth manner occurs impossible due to word limit. For that matter, reviews on single episodes will occur necessary. In this general review, I will highlight only the few most eminent character starting with Jo, surely no 'true Forsyte', as he says 'a bit of a mongrel' a prodigal son at moments, compared to Prince Rudolf of Austria by Sir Gerald Nabarro, excluded from the established order society but the one who calls our attention and sympathy from the very beginning.Played warmly by KENNETH MORE, Jolyon is a "thoroughly understandable, broad minded man" (Kenneth More in a 1967 interview). The part where Jo actually turns up creates a unique atmosphere of an exception from the rule of legal background, the rules within a sense of property that so powerfully defines this family. Mr More admitted that there was no 'struggle' to find the character because it simply developed itself as a 'decent, open, loving' observer and the one who lives his life fully. We feel at ease watching him.The intense contrast to Jo is the protagonist, the 'man of property,' Jo's cousin Soames Forsyte played with insightful psychology and powerful penetration by ERIC PORTER. His performance alone makes the series worth watching, never to be copied, never to be repeated, the artistic achievement stands in itself as towering. Eric Porter appears most to depict the fact that 'the close knitness in the family came over into private life." He sets his mind and heart on the role. As Donald Wilson, the producer observes, his character brings about a true study. As the story gets more concentrated in later episodes, Mr Porter delivers sheer brilliance contrasting and connecting the 'old man' with the 'young man.' His legal mind for whom a contract is a contract seems to be at war with most of the characters that come and go, especially women. Here, viewers still take sides...Soames or Irene, his first wife?Her musicality and the sense of art contradict with his skepticism and the sense of property. Neither is good or bad, but simply people who can not get on well with each other. Portrayed by NYREE DAWN PORTER, Irene is 'a beauty to be possessed,' a woman who does not change, described by Galsworthy as "born to be loved and love." As Ms Porter admits, she is seen through the eyes of other people. Selfish, confident, loving? SUSAN HAMPSHIRE as Fleur, Soames' only daughter, reveals something different. Richard Amphlett rightly observes: "there is little superficiality about her pragmatic and asture demeanor, and an intuitive intelligence in her mode of thinking." A woman with a passion to know, a passion to have; her feelings correspond to people she meets, a sort of 'mirror of her father' in the quest for possessive temptations and a woman who stands on her own in her quest for emancipation. The rapport (or its lack) with Michael Mont, her husband, is interesting in the context of changing times.In order to get overwhelmed by the entire series, one needs to discover the wonderful entertainment supplied by each scene so well measured, each single person who appears on the screen and provides us with memorable feelings. One needs single episodes and their great continuity.THE FORSYTE SAGA is sheer pleasure to watch for all those who can appreciate an ambitious story and can grasp true brilliance of British performances. Tastes change but genuine work remains.

edward wilgar I was absolutely delighted to have an opportunity recently to see the original `Forsyte Saga' on the ‘Ovation' channel on cable TV in Australia.Forget the recent remake and after about ten minutes you'll certainly forget that this is thirty-odd years old and made in black and white. Maybe its high-class soap opera but even so its all class.Truly a saga spanning four or five generations, the story is dominated by Eric Porter's Soames, the cold venal rapist who eventually commands our grudging respect and the truly beautiful Irene played by Nyree Dawn Porter, Soames' victim who later finds love. And then there's Susan Hampshire's pretty but totally selfish Fleur, drawing you eye whenever she's on-screen. Incidentally, Nicholas Pennell plays Fleur's husband as if he was Wilfred Hyde-White in My Fair Lady! There are many other major characters, all well portrayed and you'll really care what happens to them.Even the make-up of the two Porters is worth a word of praise as they age convincingly.A minor criticism I could make is the rather eccentric recording of the sound. The dialogue level soars and drops as if the microphones were concealed in flowerpots like the early talkies. Doors slam loudly and there are unidentified knocks and bangs in the background.See this masterpiece of television if you can, I don't think it has been bettered.

overseer-3 Please, oh please, watch this original b/w 1967 British version of The Forsyte Saga instead of the 2002 mini-series. You cannot compare the two; the modern version has terrible casting, lacks charm, and has a terrible script. The actors in that version try but do not reflect the authenticity of the characters in this Galsworthy classic. This 1967 version in contrast has perfect casting, a completely amazing script, multi-dimensional characters, why even the house at Robin Hill is more gorgeous in the original version! The DVD box set you can purchase off Amazon is well worth the price. Buy it before it goes out of print. Do yourself a favor and enjoy this sirloin steak version, instead of the 2002 chopped liver disaster.

tekwkp Filmed in Black & White and brilliantly cast, this BBC serial, referred to as: The Grand daddy of BBC Serials, captures the mores of Victorian and early 20th Century England. A winner. True, but unbelievable, the PBS ceased airing it in the late 1970s'. The flawed reason is because it is in B&W, that there is no audience appeal. It has not been aired in a good 25 years. I have tried to track a copy for viewing. Contacts in the UK have told me the BBC discarded the series, meaning trashed it. The Forsyte Saga, filmed in the w\early 1960s', the series, no longer exists. I have been told a copy exists in Canada. Whether the copy will be replicated is another matter.

The Forsyte Saga