Enoch Sneed
In 1967 the BBC produced "The Forsyte Saga", a 26-episode adaptation of John Galsworthy's novels. It was a sensation and gripped the whole country. The BBC's only mistake was making the series in black-and-white. In the early 1970's, with colour television becoming the standard, they looked for another 'saga' they could treat the same way but as a colour production and came up with "The Pallisers". Once again they got it right, magnificently right, but the series didn't seem to grab the public as the Forsytes did (a strike half way through the first transmission didn't help). This is a great shame because this is one of finest costume dramas ever made for TV.It's hard to know where to start praising this series. Simon Raven does an excellent job of weeding out Trollope's inessential sub-plots and leaving the meaty stories revolving around major characters. His dialogue is rich and intelligent and full of character.The production values are superb. The use of videotape for exterior scenes avoids the jarring jump from studio work to grainy film that was a feature of TV production at the time (although some remote locations, such as Scotland, still rely on film). The interiors are rather set/studio-bound, but there's nothing cheap about them and they are convincing. The costumes look as though they cost a fortune in themselves (I don't think Susan Hampshire wears the same dress twice).So what of the drama? Nothing less than 26 episodes packed with incident and fascinating characters: George Vavasor, Ferdinand Lopez, Mr. Bonteen, Robert Kennedy, Mr. Chaffenbrass, Lizzie Eustace, Lord Fawn, Sextus Parker, the list is huge and the cast is a roll-call of the best British actors around doing some of their best work to bring their characters to life. It's a team effort and impossible to select one outstanding member, they are all memorable.At the centre lie the two fixed characters of Plantagenet and Glencora. All I can say here is that Susan Hampshire is so charming and lovable as Glencora she steals your heart as much as she does Planty Pal's. In some ways Philip Latham has a thankless job as Plantagenet. He is the embodiment of a high-minded public servant: humourless, devoted to his work, and an apparently aloof, unaffectionate husband and typical Victorian father. Again, though, the script fills out the character and some of the most memorable moments in the whole series come when Philip Latham shows the human qualities that lie behind this forbidding shell (particularly his fair-mindedness when faced with an argument). The scene where he tells Glencora never to think he doesn't love her is very moving and as a fine a piece of acting as you will find.Above all, the story of Glencora and Plantagenet shown in the series is the *true* story of a marriage. With all its ups and downs, misunderstandings, disagreements and differing points of view, there comes to be a deep affection between them that stands the test of time.It is this that makes "The Pallisers" one my very favourite TV series (along with "Tinker, Tailor, Soldier, Spy" which is a horse of a very different colour): it is huge in scale but never loses sight of the human element. Anthony Trollope said he was fascinated by "the interestingness of existence". This adaptation, full of love, betrayal, greed, jealousy, ambition, *and* comedy, captures this in a truly unforgettable way.
operajsc
This excellent series starts slowly and takes several episodes to really get off the ground, but patience is rewarded because the series becomes quite engrossing. Most of the acting is excellent, with many of the "Usual Suspects" of BBC/Masterpiece Theater productions. Central to the whole drama are Phillip Lathan as Plantagenet Palliser and Susan Hampshire as PP's wife, Lady Glencora. Past the first few episodes they are rarely at the center of the goings on, but they provide a dramatic constant and help hold the rather sprawling series together. The focus of the series, like Trollope's "Palliser" novels, moves from one series of characters and events to another. While this makes "The Pallisers" a bit jumpy and episodic, it does provide variety and keeps the very long miniseries from getting stale. My personal favorite series of episodes are those in which Phineas Finn is tried for murder; there are some wonderful courtroom scenes. If you like period drama, this is just the ticket for you.
theowinthrop
This series deals with the second series of novels by Anthony Trollope that people recall when thinking of his novels. They are the six novels making up the story of Plantagenet Palliser's political rise and fall from Can You Forgive Her" through "The Prime Minister" and "The Duke's Children". Plantagenet (Philip Latham) is the nephew and heir of the Duke of Omnium and Gatherum (Roland Culver) who is England's richest nobleman (his estates, by the way, are in Barset). We watch Plantagenet (a Whig, and something of a currency reformer - he is trying to push a decimal currency in 19th Century England, so he is a century ahead of his time there) pursues Lady Glencora (Susan Hampshire) in the first story, where she is tempted by a more raffishly attractive lover Burgo Fitzgerald. After their marriage, the story turns attention to Phineas Finn, "the Irish Member"(Donal McCann), and his sexual political problems with two women, one of whom is Madame Max Gestler (Barbara Murray), the girlfriend of the Duke of Omnium. The third novel dealt with Lizzie Eustace (Sarah Badel), her romances with Lord George (Terence Alexander), Reverend Emilius (Anthony Ainsley), and the inept Lord Fawn (Derek Jacobi), and her plotting to maintain possession of "the Eustace Diamonds" (Trollope spoofs Wilkie Collins here). The fourth novel deals with again with Finn (the novel was "Phineas Redux"), and his final choice for a wife, as well as his trial for murder (the murder of a political rival - the real murderer is revealed by a witness who is from Bohemia and has to be cross-examined in Latin). The fifth novel follows Plantagenet (now Duke of Omnium) reaching the top of Disraeli's "greasy pole" (he is Prime Minister, but in a minority coalition government), and discovering that he can't get his favorite currency reform through. "The Duke's Children" dealt with the problems of Plantagenet and Glencora with their children, in particular their son Lord Silverbridge (Anthony Andrews), and how the family is brought together by the death of Glencora.Trollope's strength was in being honest and painstaking in trying to describe the reality of the world. If you read "The Eustace Diamonds", Lizzie has gotten physical control of the jewelry when married to the previous Lord Eustace. But was this just temporary as long as her husband was alive, or was it permanent? There is a long chapter in the novel dealing with the British laws regarding family heirlooms that was based on legal advice Trollope sought from a solicitor to make the novel as accurate as possible. He was one of the few writers of his day to go to such elaborate lengths.That chapter is not done in detail in the series, but the stories keep quite close to what Trollope did. The series shows the political world of that day (and really of any day) where the personalities are mixed, and you may need to work with really obnoxious types. In "Can You Forgive Her?" Glencora gets to meet a political figure who is on the lowest level of the Whig Party. The man is not a bad man, but he happens to get on her bad side. Plantagenet tries to correct this misunderstanding of him, but he does not succeed. When, in a general election, the poor man loses, Glendora celebrates! Bigotry appears in various guises, most notably in the career of Finn, and his Irish heritage (he meets with contempt from the newspapers and some of the leaders for that reason). His need for a wealthy wife eventually crosses his path with Madame Max, who is Jewish. Yet she is tolerated more than Phineas - she has a protector in her lover the Duke of Omnium.For a good introduction to the series of novels, the series of episodes could not be beat. Well acted, and well produced, it was a good introduction or sequel to "The Barset Chronicles" (which was produced in the 1980s, but those novels were printed first. If you can see it, you will agree to my high opinion on it.By the way, at one point one of the characters is in jail, and is visited by his friend Dolly Longstaffe (Donald Pickering). Longstaffe is looking at some books that have been sent to the character, and reads the titles like "The American Senator", "An Old Mam's Love", and smiles, and says "I see the old fellow's still turning them out!". Yes - the "old fellow" is Anthony Trollope.
bridget-13
They really don't make them like this any more - nearly 20 hours of TV devoted to six Trollope novels. The costumes are fabulous, the sets lavish, the acting superb. The whole is set around the characters of Lady Glencora Palliser (Susan Hampshire) and her husband, Plantagenet (Philip Latham), who string the various stories together more or less loosely. We start out with a miserable and rebellious Glencora and her arranged marriage with Plantagenet, follow the tale of Alice Vavasour and her suitors, then continue with Phineas Finn and his turbulent life. On to the wicked Lizzie Eustace, back to Phineas and then on to poor Emily Wharton. The last chapter is about the Duke's children, Silverbridge, Mary and Gerald. Around these central characters you have a huge cast of supporting characters, every one of them beautifully portrayed. The series has stood the test of time very well indeed, probably because they did it all well to begin with - the costumes all authentic and hand made, no zippers here! What a delight.