pbk2010 I absolutely loved "THE GAME"...while it was on. Why not more than just one season, I'll never know. I love this genre and the 6 episodes drip in espionage as if it was written from the pen of John le Carré's monozygotic identical twin. It has a certified fresh rating of 95% for a reason. I suggest you watch it with closed captions on to help you understand the British accents better. I would also suggest you watch this on your DVD player so you can rewind the parts that might confuse you too much. The show reveals ways in which the USSR would plan out espionage years in advance and how it infiltrated into top positions of government. Deliberately paced and brooding in tone, yet laced with caustic wit, personal tragedy and sinister inference, The Game keeps us wondering how far will a foreign government go to disrupt and destroy our way of life in the west. It is a first rate production of the Cold War terror that we all feared at times growing up in the 60's and 70's.

pmendham The Game is an absolutely first rate Cold War mini-series from the BBC set in the 1970's. The 70's feel is palpably conveyed through the authentic use of the fashions, hairstyles, vehicles and music from that decade. The plot is complex and intelligent with lots of twists and turns and will appeal to Le Carré fans. The acting is absolutely superb all round. The scenes inside the Security Service show that most of the people working there are paper shufflers rather than James Bond action types which is probably a more realistic portrayal. My only gripe is that it was only 6 episodes but as is often the case with the BBC, quality trumps quantity. If I could only have one station on my pay TV service it would definitely be the BBC. The quality of British productions in recent times, both on the big screen (e.g. Tinker Tailor, The Imitation Game, The Theory of Everything) and small screen (The Game, Peaky Blinders, The Honourable Woman), has been absolutely outstanding.

smb12321 The BBC continues to embarrass the American "entertainment" industry with serious actors who are not rap stars, TV hosts or wrestlers. The difference in quality is apparent from the start. That said, The Game is one of the best. I remember those times and especially the awful 1970's when it seemed that a USSR victory was almost inevitable. I remember being amazed that anyone in a liberal democracy would choose to betray their country for a backward, despotic nation that didn't even pretend to care about human rights.The cinematography editors are to be congratulated for their portrayal of a London caught up in spies, the IRA and militant unions. The moody, dark atmosphere is near perfection as are the characters. Paul Ritter as the grown gay male smothered by a domineering mother is brilliant. Each episode solves a new problem that only raises the stakes. The question of what is real and what is fake and in the end, what is the Game, is slowly explored and finally answered.

enofile Perhaps this reviewed is skewed since I grew up during the Cold War, but although the filming, acting, and atmosphere are spot on, there are inexplicable discrepancies in the plot that simply make no sense. Bodies are knocked out and left prone with no attempt to interrogate. Wire taps are set and the listeners just far away enough not to prevent the obvious disaster. Comedy is interjected at inappropriate moments and seems ridiculous, rather then funny. Also, the writers have thrown historical accuracy to the wind, and the story takes on a "Twilight Zone," science fiction tone. If I provide exact examples, I will spoil the show for those viewers who simply desire snappy entertainment. Thus, I will show restraint. The Game could have been a TV LeCarre, but alas, it is more pop then intrigue.