O2D I have been hearing how great this show is forever so I finally gave it a shot. After watching the first season I have to say that I'm not impressed. For some reason, exactly halfway through the season Larry's wife is at his work all the time. I found that odd. The most interesting thing about this show is that there was one hot girl and the rest had faces(and bodies) for radio. For 13 episodes all I could think about is why there was only 1 hot girl. After Googling her I know why. She was Shandling's real life girlfriend. Even better, when they broke up he had her fired. She sued and won, lol. This show is very watchable but it's nothing special.

calvinnme This was a smart,funny and very cynical show that showed Hollywood behind and in front of the cameras. This show may have been about Larry, but some of its funniest moments were all about Hank. Hank Kingsley was one of the most hysterically funny characters in TV history. Hank had such an underlying sense of poignancy and humanity that you had to feel bad for him. One of my favorite scenes from the series is when Artie put Hank into a headlock to keep him from speaking at Larry's roast. Hank actually sat back down at the roast after the headlock as if nothing had happened - imagine the low self worth the man must have had to not just storm out of the banquet hall. Another funny episode is where Hank insists on having Phil write up a script for "Hank's Hot Potato," a backwards, confusing game of Hot Potato. After Phil writes something that includes the audience shouting out a profanity at Hank, all Hank can do is comment on the fact that the audience wasn't supposed to have a line. My favorite episode has to be the one with "Hank's Look Around Restaurant". The tables moved around so you have a different view every few minutes. Everyone knew it was a bad idea, but Hank wanted it so badly. When Larry is eating there, the tables creak and wobble and the glasses tip over...it kills me every time. To quote Artie, "That's great television, my friend." And of course, Rip Torn was superb as Artie, the producer whose years of experience in Tinseltown had made him bitter, over-aggressive, disenchanted to the point of being total sullen, and perhaps more realistic than anyone else in that environment.Also, as an aside, if you buy the entire series don't let season one throw you. The characters struggle trying to find themselves, and Larry is even married during that first season, still I'd highly recommend the entire series as quite hilarious.

rzajac It's simply a brilliant show. All the actors make magic on the screen and the scenario/writing work is TV genius.It's a funny thing, but I feel like there's not much more to say. All I can think of doing is composing a litany of subtexts/themes that run through the series. So I'll do that.What's the show about? It's about interpersonal dynamics; the various/sundry temperaments of "show-biz" types; venality; the profound love that motivates humanity; the concept and miracle of true artistry; the harsh realities of trying to stuff artistry through an organizational tube; the many real-world crimps and constraints on that tube, the most notable being the suits "upstairs"; fame; intelligence... and so much more.The Larry Sanders Show was a miracle of comedic inspiration. And now, it can be All Yours!

paul2001sw-1 The Larry Sanders show was the best, nastiest, and funniest comedy program on either side of the Atlantic during the 1990s. Filmed without a laughter track, it features Garry Shandling as TV talk show host Larry Sanders (motto: "No flipping!"), who we follow on and off camera.On camera, the Larry Sanders Show is slick, professional, and vacant, as celebrities appear pretending to be best of friends with Larry and delighted to be on the show when all they're really doing is plugging their latest product and when everyone in the paranoid entertainment industry actively hates everybody else. Exactly like real talk shows, in fact. As a parody, Larry Sanders is extremely subtle, aided by the fact that many A-list celebs from real life appear, showing a surprising willingness to send themselves up (David Duchovny, for example, features in one episode where the main storyline centres on his crush on Larry!). It's bad, but not obviously: you can really imagine it on air (in sharp contrast to Steve Coogan's Alan Partridge, who in real life would never make it even to hospital radio).But the funniest material comes backstage. The leading characters (Larry, his loser sidekick Hank, and his alternately tough-talking and sycophantic producer Artie) are all so horrible, the main joke is basically that everyone continually behaves in a manner both in character, and yet also worse than you could possibly expect. The sheer unpleasantness of these individuals is jaw-dropping... you continually wonder "did he really just say that?" Hank, for example, after his agent has been hospitalised and he hasn't been allowed to visit, comments: "It's so unfair! I mean so much to him!" then immediately starts phoning potential successors. The character of Hank is perhaps the best of all, his role on the show is to appear talentless and genial alongside Larry, a role he fulfills with partial success because he is naturally talentless but not in the least genial! But all the cast (including many regulars) are wonderfully portrayed, Shandling is great but at the end of each brief episode you almost wish you had seen more of the others... in fact this is probably just another sign of the show's strength, instead of wheeling out our favourites each week for a familiar laugh, this show is always looking for fresh ways to make us uncomfortable.In some ways this is a very un-American program (there's not an ounce of sentiment, or a hint of redemption for its characters). In the UK, Peter Kay's "Phoenix Nights" is perhaps the closest thing to a successor. But the Larry Sanders show remains a major loss from the late-night schedules.