amexspam A poor combination of borscht-belt jokes, vaudeville sight gags that were 30 years old even then, a predictable Hanna-Barbera cartoon approach to a show that couldn't quite decide if it was a kid's show or something more grownup. When I watched the show at age 11 I thought it was stupid. I watched this show again recently on Antenna TV and although many of my opinions have changed over the years the original one remains. This is bad slap-stick with songs, performed by characters that were not funny and couldn't act. The surprising part is many of the songs do hold up. Even 55 years later several of the pieces are memorable and well done. I also enjoy the pretty girls and the mid 60s cars I grew up with. However, this is bad TV.

ShadeGrenade No-one has ever tried to pretend that 'The Monkees' were anything more than a pop group specifically created for a television show, and to sell bubblegum music to kids. That said, it should also be noted how talented Mike Nesmith, Peter Tork, David Jones, and Micky Dolenz were as comedy performers, far more so than the members of 'Herman's Hermits' and 'The Dave Clark Five', both of whom tried and failed to reach the same audience. The show took its cue from the Beatles' movie 'Help!', with the band constantly running across rooftops, chased by screaming girls, and famous actors hamming it up for all it was worth in cameo roles. John Lennon likened The Monkees to the Marx Brothers, and its not hard to see why. The show caught the mood of the time; it was colourful, daft fun, just what the world needed as the Vietnam war raged. And the songs were good too, particularly 'Last Train To Clarksville'. Such was the show's popularity in Britain that it was being rerun long after the group disbanded.

Brian Washington This is definitely one of the most influential shows in television history. The show was so funny and at times surreal but you could see that the boys had a lot of fun doing the shows even if they didn't like a lot of the music they were forced to do in the early shows. Speaking of the songs, this show was also a great showcase for many of the greatest songwriting talents of the 60's including Goffin and King, Neil Diamond, Boyce and Hart, John Stewart and Harry Nillson.

Michael Daly The Monkees may have been created as a Beatles-of-America series, but like The Fab Four the show and the group within had a pivotal role in pop music history. While the concept of quick-edit rock music pieces began with A Hard Days Night and its sequels, it was The Monkees that really fleshed out the concept that today is known as the music video.The power of television proved itself with Monkee-mania, and seeing the series and listening to the records four decades after their debut reveals how fresh and engaging both still are. The sit-com concept was basically parodied, and the free-wheeling styles of Micky Dolenz, Michael Nesmith, Peter Tork, and David Jones made the parodies all the more cutting and funny. There is a magnetism to Micky, Mike, Peter, and Davy that still shows in the show and the music; the use of session hipsters in the backing tracks certainly created a strong baseline at the beginning, but in concert with session help or all on their own (in the album Headquarters and the songs from which the show made use), it was Micky, Mike, Peter, and Davy who gave the music a stamp that was undeniably theirs.The same is true of the show - other singers have shown engaging humor (Alison Krauss is one of the funniest), but none show the magnetic zaniness of The Monkees (if anything, Ms. Krauss' sense of humor is more like Mike Nesmith's than anything).This is why the show and the group will always endure.