rao-bharat I hesitate to call this a great film, because it has too many flaws (I was particularly annoyed by the "old Saketh Ram" scenes). Nor is it a film I yearn to see again, like many other films. So, why a 10 -- a rating, I've only given to 4 other films?Because, more than a dozen years after I first saw it, it remains the most powerful and thought-provoking film I have seen. For answering two questions I had, and also for its powerful transformation. First the questions:I had always wondered when I read about riots and seemingly common people going berserk and killing people from another religion, "how could someone kill an innocent person just because they were Sikh/ Muslim / Hindu?" In dialogues with friends, it was easy to pass that away with "It is the uneducated, poor, dis-satisfied -- led by a bunch of thugs," and remain comfortable with the knowledge, "That could never happen to me."This movie shows with amazing clarity how a normal peace-loving academic, with no communal feelings, can turn into a killing machine, dispatching Muslims without a shred of remorse. Powerful scenes with the slaughter of the protagonist's wife and his subsequent conversion to avenging angel...The second question I had -- I am an unabashed Gandhi-phile, rating him the greatest human that ever lived -- is how could a Hindu want to kill Gandhi? Again, this movie brilliantly depicts how a section of society could fixate on Gandhi as the root of all of India's ills, and determine that his execution was the solution to India's ills. These aren't raving lunatics plotting to kill Gandhi, but patriots -- misguided surely, but patriots in their own minds -- who are willing to kill Gandhi for the good of the nation. Saketh's conversion to the self- appointed assassin is totally believable.Finally, apparently a lot of people were upset that this film showed anti-Gandhi sentiments (apparently the irony of stoning theaters to protest a film seemingly disparaging the Apostle of Nonviolence was lost on the protesters). Here is where, I disagree, and the single reason why this film lingers in my mind. (Spoilers follow:)THIS IS PROBABLY THE MOST PRO-GANDHI FILM EVER MADE. Yes, even more than Attenborough's deification of the Mahatma.Yes, the first 99% of the film is profoundly anti-Gandhi, but at the very end of the film, when Saket Ram repents and goes to seek Gandhi's forgiveness transforms this film completely. Because Saketh Ram's change of heart is driven not by Gandhi himself, but the actions of Amjad Khan (Shahrukh Khan in one of his best roles), Saketh's friend, and a true Gandhian. And that transformation is so powerful and authentic, that the film remains fresh in my mind today -- can't wait to see it with my children. And for that reason, flaws and all, I give it a 10.

long-ford This is one of the few Hindi films to take head on issues related with India's partition and succeed. 'Hey Ram' features an impressive performance by Kamal Hasan. His role is complex and its hard to see how anyone else could have done better. There are lots of religious metaphors subtly woven into the script. Naseeruddin Shah is a memorable eccentric Gandhi. Shahrukh Khan has a small role but impresses. The film is very violent and some parts are quite difficult to watch, so beware. The period detail is effective. Ultimately, the film makes a strong plea for tolerance but does so without strident moralizing. Highly recommended.Overall 9/10

HeadleyLamarr Hey Ram is the story of Saket Ram (Kamal Haasan), an archaeologist. He is on a dig in pre-partition Harappa with his buddy Amjad (Shah Rukh Khan) when communal violence erupts in the region and the dig is closed down. Saket Ram goes off to Calcutta to visit his new wife Aparna (Rani Mukherjee). Calcutta is in chaos with religious strife and Ram's wife is brutally assaulted and killed by some Muslim men a few days after his return. He becomes unstable and seeks out the perpetrators of the crime and deals with them. While wandering the streets Ram meets with Abhyankar (Atul Kulkarni) who tells him that his family has suffered a similar fate and that the one man responsible for all this is MK Gandhi. Ram goes off to Tamil Nadu and after seeing Maithili (Vasundhara Das) agrees to marry her. All the time he is still traumatized by Aparna's death and planning revenge. When Abhyankar is paralyzed in a polo accident Ram vows to take his place as the killer of the Mahatma. He moves to Delhi and there he re-encounters his friend Amjad. Now hatred for Muslims and his prior closeness to Amjad are at war and Ram must choose his path - will it be the road to revenge or redemption? The story is excellent and the movie manages to retain its grip on the viewer for over three hours. The direction is for the most part very good. There are a few strange moments that seemed unnecessary to me - why is there the surreal stuff when Ram is shown with Maithili? The Marathi dance seemed unnecessary. Why were the bullets in a cartridge in a pre-partition handgun? Can one talk after one's throat is sliced open? But these are indeed minor quibbles in an overall excellent film.The background score is a bit intrusive, the songs not memorable. Maybe this is not the best of the Maestro Illayaraja. The beginning song/dance in the club is sort of silly, certainly not needed. Surely bonding between friends can be shown in other ways.Acting is very good throughout. For me the outstanding performance was given by Rani Mukherjee. She breathed life into Aparna and was at her most attractive and charming as a Bengali Bodhu! Kamal was very good. He showed love, passion, anger, rage, madness very well. And what looks at nearly age 50! The man is awesome. Shah Rukh gave a great performance as Amjad - a very restrained and balanced performance that in the end showed us which path Ram would choose and why. Atul Kulkarni was awesome as the fanatical Abhyanker. Vasundhara Das was luminous and did an excellent job playing Maithili. Naseer Shah as Gandhi, Hema Malini as the mother were all very good. In fact there was no bad performance in the film.This is a fine piece of movie making and deserves all the accolades it got. If you have not yet seen this film then you are in for a rare treat.

smadhumitha A truly amazing experience.....One cannot explain the kind of feeling that creeps into your heart at the end of this movie...its a hard-hitting mixture of reality with a very interesting element of fiction thrown in.....every aspect of the movie was breath-taking...the music by the Maestro Ilayaraaja..especially the songs...Nee partha, Isayil thodanguthamma and hey ram.....The BGM completely gels with the movie ..... Coming to the acting, I personally feel this is one of the best movies of almost every actor in the movie..Kamal is his usual splendid self....Watch him become the happy lover, the broken human being, the idealist and finally the old man with wrinkles of experience...the idea of having used colour in the past and b/w in the present is definitely a great concept.....Other than Kamal Haasan, Atul Kulkarni and Rani Mukherjee have given mind-blowing performances....Kulkarni is an incredibly talented actor and one can see the emotion in his eyes that speak most of his dialogues in the movie...Rani mukherjee is the perfect fit for her role of a Bengali teacher and has given a wonderful performance......The movie comes as a kind of rebel in the usual masala Indian movies genre and is a must watch for anyone interested in gaining a wholesome experience....Another feather on India cinema's cap.....