TheLittleSongbird
With an intriguing subject and a talented cast (Don Ameche, Alice Faye, Alice Brady, Tyrone Power) and director (Henry King), 'In Old Chicago' immediately sparked my interest (regarding watching it) and had a lot going for it.Having seen it, 'In Old Chicago' is a little disappointing and more left me relatively lukewarm rather than properly ignited. However, there is more than enough to make it worth a view, even if urges for re-watching are slim. It has often been compared to 'San Fracisco', and often unfavourably, there are similarities between the two and while it is understandable (and agreed) that 'In Old Chicago' is the inferior film of the two there is still enough to make it watchable at least once.'In Old Chicago' looks great, with the cinematography being handsomely mounted but with enough grit to not make it over-glossy and also with elegant but atmospheric costume and set design. For the time and for now as well, the special effects in the final twenty minutes detailing the famous fire disaster are staggeringly good. The music score is energetic and vibrant enough, with luscious orchestration, while also with an atmosphere that stops it from sounding too melodramatic or too chirpy. The songs, while not classics as such, are pleasant enough, a few of them (such as the title song) sung beautifully by Alice Faye.King directs with a meticulous eye for detail, great urgency and tension in the final twenty minutes and good direction of the actors, even if he doesn't quite succeed as well with the script and overall momentum of the story. The final twenty minutes are utterly riveting, and by far 'In Old Chicago's' dramatic highlight, with boundless tension, urgency and with visuals that give the full impact of the disaster rather than being too small scale due to budget hindrances or something.The cast is a good one and perform well. Alice Brady shows a different side to her, and brings sincerity and authority to her mother figure role. Ameche is likable and charming, while Power shows that he was more than an actor with just good looks in a performance that has handsome suavity and reckless charisma. His fight with Ameche is well handled. Andy Devine and Brian Donlevy are strong in support. Faye sings beautifully and is lovely enough but doesn't have very much to do in a somewhat underwritten role.On the other hand, 'In Old Chicago' does drag and meander quite badly in spots, with the main plot-line having its fair share of leaden melodrama and there is a lot of overlong scene-setting that could have been shortened or completely cut. There are also subplots that either don't go anywhere much, or are wrapped up too quickly or neatly.The script has the odd heartfelt and thought-provoking moment, but much of it is laid on too thick with syrup and sugar in the melodramatic parts while the grittier subjects that it tries to tackle later on (which would have made for a more interesting film if handled a little better) were either handled too heavy-handedly or too safely, which did on each side diminish any conflict. Tonally, with trying to have more than one element, it does feel confused and unfocused at times. All in all, crackles in the final twenty minutes but apart from enough to keep one watching was somewhat of a lukewarm experience on the whole. Not a bad film, a long way from, just was expecting more. 6/10 Bethany Cox
ironhorse_iv
Supposedly based off a fake novel 'We're the O'Learys' by Niven Busch; this film was indeed, 20th Century Fox's answer to MGM's disaster hit film 1936's 'San Francisco'. It really did seem to copy, nearly everything from director Woody Van Dyke's movie, from musical dance numbers, love story between a criminal and a singer, political and criminal enterprises sub-plot and a fiery full climax. It even took, the whole idea of singing a song, by the waterside, while watching the city burn, motif. It's nearly a carbon copy. While, this movie was highly successful in its own right, with a Best Picture Oscar nominee, it's not really historic accuracy at all, as well. Directed by Henry King, the film tells the fictionalized account about the Great Chicago Fire of 1871 with the O'Leary family. First off, there is the urban legend spread by the Chicago Tribune newspaper about Mrs. O'Leary's cow starting the brazing fire that burn the city. In truth, it's highly doubtful that the cow set off the fire, due to the fact that the real Mrs. O'Leary was asleep when it started. Also, there is the fact that Chicago Tribune reporter Michael Ahern admitted to reporters, that the original report about a cow kicking off a lantern was false. Most likely, it was related to other wildfires in the Midwest that day due to drought and cause by poor city building techniques, such as wooden shingle roofs having topped with highly flammable tar. Anyways, although Mrs. O'Leary was never officially charged with starting the fire, the story became so engrained in local lore that Chicago's city council officially exonerated her—and the cow—in 1997. However, this later pardon didn't help her at the time, as Anti-Irish attitudes was growing, encouraging many Chicagoans to use the O'Learys as scapegoats. They became one of the most hatred families in America, for a very long time. While, this part of the story isn't the movie's fault, it doesn't help that the movie push the idea that the O'Leary accidentally did it, when the writers: Niven Busch, Sonya Levien, and Lamar Trotti truly knew, that they didn't, even for 1940's historical research standards. The portrayal of the real-life O'Leary family is largely fictitious here, down to the names of the characters being change to fit more with the Busch's novel. I really couldn't get, behind, the idea, that the real-life poor family was now rich, with Mrs. Catherine O'Leary became highly successful, laundry owner, Molly O'Leary (Alice Brady) with two high class boys, Dion (Tyrone Power), a local club owner, and Jack (Don Ameche) who ends up, being the Mayor of Chicago and a third son, Bob (Tom Brown) who really didn't add much to the story. Its stretch too far away from history. In truth, the O'Learys had two children, one son, James Patrick and one daughter, Anna. While, Dion is very similar to the notorious gangster, real-life James Patrick O'Leary; James didn't start running gambling saloons until the late 1890. Also, none of the O'Learys, ever ran for mayor as, the real-life, Chicago mayor at the time, was Roswell B. Mason. Despite that, I think, both Tyrone Power and Don Ameche did alright in their roles, even if Powers was a bit creepy with co-star, Alice Faye as Belle Fawcett. During pre-production, MGM had announced that Jean Harlow, who was under contract to that studio, would be loaned to 20th Century Fox to star in the role Belle Fawcett. However, due to Harlow's untimely death, the part went to Alice Faye. Faye's star power rose as a result of the picture, creating one of the best careers in the Golden Era of Hollywood. She really show that she has the screen-presence, both in the acting and singing. I'm surprise, she wasn't nominated for Best Actress. Well, I think Faye's co-star, Alice Brady did alright with her given role; it's nothing near amazing to the point that she deserve the best actress in a supporting role. It's funny that she never did get it, as Brady wasn't present at the award ceremony, but a man walked up and accepted the award on her behalf. After the show, he and the Oscar were never seen again. Anyways, another problem with this film is the pacing. At close to two hours, (112 minutes) it's one disaster movie that really stretch out. Since then, the 94 minute edition is available for commercial use. Still, the whole beginning scenes were ridiculous. The idea that Mrs. O'Leary's husband, Pat (J. Anthony Hughes) die in the most outrageous way, racing a steam train with a horse in the beginning was horrible. Who thought of that? In truth, he died much, much later due to poor health. I felt the movie spent way too long, exploring the O'Leary's boys' childhoods when it wasn't needed. It really didn't add anything to the rest of the movie. Despite that, the movie does pick up, toward the middle, as the humor, songs, and action kept me, very entertained, even if there is way too many dance numbers to count. Also, the spectacular 20-minute fire sequence in the film's climax (a dangerous sequence filmed on the studio's back lot with 1500 extras and a herd of cattle) was well made, even if the women stunt people were men in drag. At the time of its release, it was one of the most expensive movies ever made. No wonder, why other films like 1948's 'Call Northside 777' & 1976's 'Time Travelers' reused footage from the ending, here to save money. . Yet, I really didn't like the ending. It was sadly, way too cheerily and cheesy. Overall: This Windy City story kinda blows. It's not the worst historical disaster movie, I saw. Yet, it will never be, one of my favorites. In Old Chicago kinda does fizzles off.
edwagreen
There were so many similarities to this wonderful film as well as "San Francisco," the film from the year before. Both had dance hall queens, politics at its worst, and disasters depicted on the screen as never before- earthquake and that terrible fire.As the tough, but understanding mother with wonderful values, Alice Brady was awarded the best supporting actress award for her grand performance. She was equally assisted by Tyrone Power, Don Ameche and Alice Faye, all of whom would appear together in "Alexander's Rag Time Band."Politics, as we know, is a dirty business but when it divides families, things really can't get much worse. Given the advent of the great Chicago family,just when the political pot was boiling, gave this film so much steam to plod ahead.Don Ameche is perfect as the ideal brother who became mayor of the town; but at a cost. Tyrone Power was in fine shape as his gambler brother, and Alice Faye, the dance hall girl, Power loved showed had what it took in the part. Brian Donlevy is at his ferocious best as the rascal who brought about the tragic ending.
