moonspinner55 Standard western from Disney has Calvary soldier-turned-deserter James Garner escaping incarceration with two camels, coming across an Indian boy in the New Mexico desert, also on the run; turns out the kid, who speaks near-perfect English, is a "white eyes," either adopted by the Indians or raised in captivity (the movie is shy to say). Family film uses the ornery camels for comic relief, while Garner's paternal feelings for the boy underline the scenario with sentiment. Vera Miles plays a handsome widow, conveniently placed on the journey (with a young daughter, Jodie Foster) for the soldier to warm to and the boy to learn from about family. Luckily for Garner, Miles still has her dead husband's razor so's the soldier can give himself a shave... ** from ****

wes-connors Western Calvary outlaw James Garner (as Clint Keyes) escapes hanging, and heads for the hills. Meanwhile, preteen Clay O'Brien (as Mark) is discovered to be a white boy in an Indian wig, taken from his tribe, and made Christian through baptism by Chaplain Andrew Prine. He runs away and hooks up with Mr. Garner. The bonded pair symbolically travel with a brown adult camel named "Rosie" and a young white one named "Thirsty". A fantasy family is completed when they happen upon pretty widow Vera Miles (as Doris McIver) and blue-eyed daughter Jodie Foster (as Martha). Alas, the men must hit the trail again. Young O'Brien does well, considering the way characters keep checking his bare buttocks to see if he is a real Indian, or not. After lowering the lad's pants, Garner utters the film's best line, "You ain't anymore Cheyenne than I am!" ***** One Little Indian (6/20/73) Bernard McEveety ~ James Garner, Clay O'Brien, Vera Miles, Jodie Foster

bkoganbing One Little Indian is the first of two westerns that James Garner and Vera Miles made for Walt Disney Productions in the middle Seventies, the second being The Castaway Cowboy. Vera has less to do in this film as James Garner spends most of his screen time with the actor playing the title role, young Clay O'Brien.The title is really a misnomer because O'Brien isn't an Indian. He's a white captive who is discovered as such after an army patrol brings in some women and kids. He's used to living with the Cheyenne and runs away.While on the run O'Brien meets up with James Garner who is also on the run from the army. He's been sentenced to hang for mutiny and desertion and Sergeant Morgan Woodward is making it a personal mission to bring Garner in. As it turns out Garner finds O'Brien invaluable because he didn't get away on a horse. His getaway animal was a mother camel named Rosebud and her baby named Thirsty. Part of the remnants of Jefferson Davis's camel corps experiment which even today can be found roaming our deserts in the Southwest. Rosie can outlast any horse on the desert, but she does require some special handling and O'Brien proves to have a way with the beast.Where One Little Indian succeeds is in the chemistry between Garner and O'Brien without which the film couldn't work. Rendering them aid and comfort for a while is widowed mother Vera Miles and her daughter Jodie Foster. Garner being an army deserter and under sentence to hang does complicate things for a romance with Miles.This is a Walt Disney production so you know it will all work out. Pat Hingle a gruff army captain who does not like the routine of his well ordered post disrupted proves to be a savior for all, but Woodward. How that is accomplished is something to watch One Little Indian for.One Little Indian is a pleasant piece of entertainment from Walt Disney with the added pleasure of James Garner.

smhowell-1 The plot is a little predictable, or maybe I remembered it from 'way back when. As a James Garner fan, it's a sure bet that I've seen this before, but can't remember when. The timing and pace were superb; I was entertained without thinking about time passing. It's a little sentimental for today's tastes. Acting was flawless by the entire cast; every character was believable. The music was unpretentious, and unfortunately, unmemorable, but then it also doesn't date itself, either. At the end, I didn't have the feeling that this is an all time classic, but it did manage to jerk that little tear out of my eyeball. The only major flaw was the poor use of obvious studio shot closeups during the chase scenes, which jarred the viewer from the suspended disbelief necessary to enjoy fiction. Overall, I'm not sorry that I own the DVD. It's a real joy to escape the foul language and smut that passes itself off as entertainment these days.