Claudio Carvalho In a poor island in the countryside of India, the school teacher Snehamoy Chatterjee (Rahul Bose) becomes the pen friend of the Japanese Miyage (Chigusa Takaku). When his aunt Mashi (Moushumi Chatterjee) wants to marry him with the young Sandhya (Raima Sen), he engages in a marriage commitment with Miyage that becomes his Japanese wife. However, neither he can afford to travel to Japan nor Miyage can leave her old mother alone to travel to India. Meanwhile Sandhya marries and has a son.After fifteen years, she gets widowed and moves to Mashi's house. But Snehamoy is still married with Miyage without seeing each other. When his Japanese wife has cancer, Snehamoy consults Indians doctors trying to find a cure for Miyage. Will they finally be together after all those years? "The Japanese Wife" is a delicate romance about platonic love. The original story is very beautiful, despite the sad and unpredictable conclusion, and for Westerns like me it is a chance to see the costumes and behavior of the Indians. The music score is also very beautiful and suits perfectly to the film. I just regret that the responsible for the subtitles have not noticed that yellow subtitles in white background are absolutely illegible. My vote is seven.Title (Brazil): Not Available

eoias The Japanese Wife is an exquisitely crafted film, with the entire emotional gamut of a love story so unbelievable and yet so touching and universal distilled onto the silver screen. The performances are heart-rending and so realistic that the viewer is just pulled completely into the characters' world. From the restrained turbulence of Raima Sen to the poignancy of Chigusa Takaku, this film probably marks complete departures in roles for its entire cast. The direction is expectedly superb from Aparna Sen as each scene seems to sigh with the beauty of the Sunderbans and delicately fashion each character in the landscape.Most interesting for me was the subtle way in which the film tried to make a point about xenophobia and the stupidity of people who adhere to it. When Miyage sends over a box of kites for their 15th wedding anniversary which Snehamoy intends to fly at the Vishwakarma Puja, the sporting kite war is turned into shouts of "Bharater ghuri Zindabad! Japaner ghuri Murdabad!" from one ignorant tramp, which then another ignorant tramp turns into "Duniyar mazdur ek ho!".In all, a triumph for the cast, crew and for romantics who dare to believe in the impossible. A must see.

MartinHafer Before you decide to watch this movie on DVD, there is something you might want to know. The subtitles are in difficult to read font and are yellow, and at times, they are a bit hard to read. It's hard to imagine that the people distributing the film would do such a haphazard job of captioning the film--and it's a shame.The plot of this film is a lot like the Anne Bancroft/Anthony Hopkins film, "84 Charing Cross Road" in that it is told through a very long series of letters back and forth between the male and female lead. Despite having a very strong attachment, the male and female leads go for many years without seeing each other! Muyage is a woman living in Japan. Snehamoy is a Bengali man living in India and most of the film is shown from his perspective. They are pen pals and through the course of the film they exchange many letters which are narrated for the audience. Over time, they fall in love but cannot do much about it, as they are both poor. Yet, because they are so painfully shy, they do not see anyone in their own country. Eventually they hit on the idea of getting married--though they still have not actually met...and even after their marriage (there is no actual ceremony) they do not meet! Years pass this way as they exchange letters and grow separately...yet together.Problems arise, however, when a widow and her young son move in with him and his aunt. After all, this widow is the same lady that the aunt tried to get Snehamoy to marry years earlier. She, like Snehamoy, is painfully shy...but you can also very slowly see something might be blossoming between them...very, very slowly. And, you can also see the young boy beginning to bond more and more with Snehamoy--seeing him as a bit of a father figure. In the meantime, Miyage becomes ill--so ill that Snehamoy is worried she will die, so he takes off time from work and runs from doctor to healer to try to get them to diagnose a woman living 3600 miles from India (trust me, I recently measured it)! What will become of these nice people? Overall, I was very impressed by the very slow and deliberate pace of the film. It was obviously a labor of love, though some might be a bit put off by the very restrained and emotionally constricted acting. It is a film about people--not about action or great displays of emotion. As a result, I assume many, if not most viewers (who are unfortunately boobs) probably will not enjoy the film very much and much of the film's beauty and artistry will be lost on them. Yes, I am apparently a snob and assume the worst of many viewers--especially teens and the chronically dumb. But, if you are willing to watch such a film, give this one a try. It's original (despite its similarity to this other film) and engaging...if you give it a chance. Just be forewarned, this film, at times, is rather heart-breaking--it's not a predictable romantic feel-good film. Seriously...think about this before picking this film.By the way, there was one aspect of the film I did NOT love. Seeing the male lead apparently masturbating in one scene was kind of yucky. No, they didn't show this but it was clear this was occurring. I did, however, like a scene soon after this where you THINK this is occurring...but it isn't. That's pretty clever.

billcr12 You won't take your eyes off the screen from the opening scene to the closing credits of "The Japanese Wife." Although this is a simple love story, it's visual style and look reminded me of another great Indian film, "Water" which also had a female director, Deepa Mehta. Aparna Sen, the director of "The Japanese Wife" uses the visual beauty of India, especially the rivers, as effectively as the cinematography of "Water." The acting is superb, as Rahul Bose and Chigusa Takaku as the star-crossed spouses are excellent. The supporting cast, mainly the aunt (Moushoumi Chatterjee) and a little boy(Rudranil Ghosh) are both very good. The story is a very basic one showing 2 people of vastly different cultures falling in love via letter writing. The universal message of loneliness and yearning are depicted in a very interesting way.Even as a cynical American, I cannot recommend this film highly enough.