Three to Tango

1999 "All's fair in the war of love."
6.1| 1h38m| PG-13| en| More Info
Released: 22 October 1999 Released
Producted By: Village Roadshow Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.

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marieltrokan The charm of non-explanation is the non-charm of explanationNon-charm is non-inspirationExplanation is aftermathAftermath is separationNon-inspiration is equalityEqual separation is separate identicalSeparate identical is hostile identicalHostile identical is non-hostile differenceNon-hostile difference is difference of non-hostilityDifferent non-hostility is different different hostilityDifferent different hostility is not different hostilityNot different hostility is not hostile differenceNot hostile difference is hostile hostile differenceHostile hostile difference is different hostile hostilityDifferent hostile is hostile differenceHostile difference is peaceful samenessPeaceful sameness is wrongRight is when sameness is differentRight is when reflection is hostile as the consequence of being aware of reflection
rooprect For some reason when I picked up this movie for 99c on ebay, I assumed it would be one of those sexually-charged, ménage-à-trois, gender-bender flicks that populated the late 90s like "Chasing Amy" or even Neve Campbell's own "Wild Things". I didn't watch it for that reason, I watched it because it was 99c.Much to my surprise and delight, "Three to Tango" is a charming, family-friendly comedy that deals with sexual roles tastefully, much like Francis Weber's classic "La Cage aux Folles" (1978) remade in English as the equally classic "Birdcage" (1996). Or if you really want to get back to the roots of the mistaken-sexual-identity sex comedy, Willilam Shakespeare's "Twelfth Night" (1602).It's best to know nothing about the plot, that way the twists and turns are more of a hilarious surprise. But yes, the story centers around a classic case of mistaken sexual identity, and from there the hijinks ensue.What's exceptional about this movie is that it does a great job of reversing roles, not just for the individual characters but for society as a whole. A lot like a surreal Franz Kafka story (such as "Metamorphosis" where the main character wakes up to learn that he is a giant cockroach), "Three to Tango" puts the main character into a different identity, forcing us to see the world through a different perspective. And much like Kafka's story, the comedy lies in the absurdity of people's reactions, even though nothing has changed except for their perception of the main character.Yeah that's a lot of heady gobbledygook, so let's just talk about the movie already. The overall vibe is a great throwback to those classic & classy Blake Edwards comedies like "Breakfast at Tiffany's" (1961) or even the Pink Panther flicks. What I mean is that this story is very prim & proper (no crass potty humor or cheap shots) and yet it's not afraid to sink to few good slapstick moments, such as a couples barf scene that's both hilarious and oddly romantic. There are also 1 or 2 totally surreal moments (again much like in a Blake Edwards flick) such as Matthew Perry panicking and running through the streets of Chicago only to run into a flock of... what's the cliché, pigeons? Haha, not in this case, but I'll let you see it for yourself. It's a quick one so pay attention.Also like in a Blake Edwards flick the music is AWESOME. Some very cool old jazz, swing and big band numbers are peppered throughout, in a way that really punctuates the comedy (similar to the great soundtrack of "When Harry Met Sally").Let's talk briefly about the acting. Pay close attention to some brilliant non-verbal acting on the part of each character. I'm talking about their complex reactions without any script. As the story un-twists, each main character has a moment of realization, and I felt they all pulled it off very well. Just by looking at their expressions change, you know exactly what they are thinking and how the wheels in their minds are spinning. Applause for Neve Campbell, Matthew Perry and Dylan McDermott (and director Damon Santostefano) for giving us these powerful yet subtle performances that aren't necessarily as thunderous as George C. Scott's monologue in "Patton", but they convey just as much information and emotion to an audience that's paying attention.The script itself is pretty well written, not really full of zingers but very natural and believable. Of course with it being Matthew Perry from Friends fame, a lot of his delivery is in that deadpan sarcastic "Chandler" vein with Neve Campbell being the perfect spunky counterpart. Also, Oliver Platt and half a dozen other minor characters also did a great job.Definitely catch this movie if you get the chance, whether or not you find it for 99c on eBay, it's worth your time.
cutecitcat I didn't see this movie for years because I heard it was terrible. I happened to catch it on cable today, and they couldn't be more incorrect! Matthew Perry and Neve Campbell absolutely SPARKLE! Matthew is so sweet and funny it reminded me why I loved him so much on friends before the shrew Monica took his balls. Their chemistry seems so real, it's either the best acting job they've both ever done, or they were really into each other, hee! There are a lot of funny moments, some cliché, but its a romantic comedy, you expect a certain amount of formula. But Matthew and Neve keep it real and cute and funny, and I was overwhelmed by how touching it was. Matthew really hit the mark on this one, and Neve is adorable! I missed the scathing and usually-hilarious Oliver Platt, his role seemed a mere supporting throw-away, it could have been played by anyone, but it was nice to see him do something different.Dylan McDermott does what he does best: irritating slime ball. I never quite believe him when he plays a good guy, and its much more fun to love to hate him anyway.Yes the film has a message too, but they don't hit you over the head with it. The entire film is nicely sweet and subtle. Everyone (except maybe homophobes) should give it a shot!
Chrysanthepop What you get from 'Three To Tango' is a feel-good (but sort of deja-vu) comedy. It has its own charm, own humour (though very American). Santostefano's direction helps the movie move on a steady track. Matthew Perry's Oscar isn't very different from Chandler Bing, yet he manages to stay funny as hell and never get on our nerves. Neve Campbell's Amy is vivacious, charming, sexy and funny. Dylan McDermott does alright as the arrogant boss. Oliver Platt is decent (although he does go overboard at times). Unlike other more recent American comedies, 'Three To Tango' has a more classy appeal. The background score is very likable. The film is set in the busy city which is beautifully shot. Though it does have its share of toilet humour and over-the-top comedy, I can safely say it's one of the better American comedies, fun enough to watch on a rainy day accompanied by a great background score.