Whiteboyz

1999 "They dreamed of the ghetto...But they woke up in Iowa."
Whiteboyz
5.4| 1h32m| R| en| More Info
Released: 10 September 1999 Released
Producted By: Fox Searchlight Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

In a virtually all-white Iowa town, Flip daydreams of being a hip-hop star, hanging with Snoop Doggy Dogg and Dr. Dre. He practices in front of a mirror and with his two pals, James and Trevor. He talks Black slang, he dresses Black. He's also a wannabe pusher, selling flour as cocaine. And while he talks about "keeping it real," he hardly notices real life around him: his father's been laid off, his mother uses Food Stamps, his girlfriend is pregnant, James may be psychotic, one of his friends (one of the town's few Black kids) is preparing for college, and, on a trip to Chicago to try to buy drugs, the cops shoot real bullets. What will it take for Flip to get real?

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Reviews

basketballer1042 It is SO corny...it is the worst possible representation of an inspiring white hip hop prospect ever. Everything the main character says just makes him need to shut up even more. He doesn't know anything about being a rapper, he doesn't know anything about drug dealing, he doesn't know anything about being a gangster, and frankly it makes people in Iowa look really bad because i'm sure they are not really like that. He thinks becoming a hip hop star is all about being black and living in the city selling drugs. Yes, he actually wants to move to the ghetto in south side of Chicago. His head is in the wrong place and he will never become the rapper he dreams to be.
timothy-oreilly This movie is a landmark film. It may well serve as the most important tool available to young white males to illustrate how incredibly stupid they look trying to be black. I firmly believe that if this movie is shown in schools there may yet be hope for a future for Caucasians everywhere. Stoop Dogg was instrumental in making this film and that's important to note due to the fact that he's come far enough in his career that he no longer needs to placate young "wiggers" by reassuring them that they don't look stupid trying to act black, and has gone so far as to make them look stupid directly and make a movie about it. This film did not enjoy wide distribution due to the entertainment industry's fear that white people would stop buying C rap music and they would lose those dollars. I applaud Fox's decision to distribute this film and will make every effort to support them in all of my movie watching choices in the future.
Lucky-63 This could actually have been a good movie. Instead it was a bizarre movie.Whiteboys actually had a point; but it waited until the last 10 minutes to make it. In fact, the last 10 minutes would make a good music video.But by the time you get there, you don't much care any more. Because you're so tired of Flip being such a one-dimensional human being.It's probably funnier if you've already drunk a couple of 40s ... but then, who does?The rest of this comment has been added. Because IMDB insists on a minumum of 10 lines. But sometimes. A half dozen is more than enough. Like Whiteboyz.
dee.reid OK, only half-joking about the one line summary (alluding to the B. Boys throughout this comment), I am a huge Beastie Boys fan (and most of hip-hop in general; Run-D.M.C. are the kings). Yes, Flip (Danny Hoch), Trevor (Marc Webber), and James (Dash Mihok) are respectable emcees (no where as good as the Beasties) and have good hearts, but they live in a fantasy land. They are so caught up in their dreams of living the "good life", that they don't recognize how bad things are in reality. Flip seems to be the one who has the most trouble accepting things the way they are. His father has been laid off and his mother uses food stamps to pay for groceries, and above all, he has gotten his girlfriend Sara (Piper Perabo) pregnant. He is so caught up in the "false" glamour of the ghetto lifestyle, that he thinks he's black and practices explaining his 'hood background in front of a mirror. Really, the biggest problem is he just can't accept that he's white and living in Iowa, and that his only black friend is Khalid (Eugene Byrd), who quickly becomes disgusted with the way Flip and his friends are acting.Now, not that the "Whiteboyz" are splitting images of their New York counterparts (Mike D, Ad-Rock, and MCA), but they are going to experience the same harsh public criticisms that the Beastie Boys had gone through, and I suspect that if they hit it big (which they won't), they won't shape up their act (like the Beasties did) and become respectable rap artists. Even so, "Whiteboyz" doesn't aim to stand as a cautionary fable against whites in hip-hop, but more as a metaphor for the progressive movement of the music into non-African-American audiences. I mean, Flip lives in Iowa for crying out loud! The Beasties themselves, who before becoming involved with Def Jam, were three untalented punkers, who knew little if anything about hip-hop and eventually moved into rap and became the three great emcees they are today. Flip was the same way before, a slob I don't know, but he certainly acted differently from the way he acts in the beginning of the film. Anyways, unlike their New York counterparts, these "'boys" live in a fictionalized world where it will take an act of total stupidity to wake them up from this fantasy. Yes, by the end, the walls are all going to come crashing down."Whiteboyz" is undoubtedly one of the best films about hip-hop I have ever seen, and it shouldn't be missed by anyone. True it's geared towards a black audience (I'm African-American myself), but you can tell by the films central themes and the subject matter, it's geared more towards a white audience. Even so, don't miss it, regardless of skin color.9/10